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Portrait of the Princess of Romania Elisabeth Pauline Ottilie Louise de Wied (1839-1914)
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Portrait of the Princess of Romania Elisabeth Pauline Ottilie Louise de Wied (1839-1914)
XEE4166899 Portrait of the Princess of Romania Elisabeth Pauline Ottilie Louise de Wied (1839-1914), wife of the future King Charls 1st (Carol 1st) of Romania. Engraving in " Le Monde Illustre" nA'1054 of 23 June 1877. by French School, (19th century); Private Collection; (add.info.: Portrait of the Princess of Romania Elisabeth Pauline Ottilie Louise de Wied (1839-1914), wife of the future King Charls 1st (Carol 1st) of Romania. Engraving in " Le Monde Illustre" nA'1054 of 23 June 1877.); Stefano Bianchetti; French, out of copyright
Media ID 23723818
© Stefano Bianchetti / Bridgeman Images
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EDITORS COMMENTS
This engraving showcases the elegant Portrait of the Princess of Romania, Elisabeth Pauline Ottilie Louise de Wied. The image captures her regal beauty and poise, as she gazes confidently into the distance. Elisabeth, born in 1839, was destined to become a prominent figure in Romanian history as she married the future King Charles I (Carol I) of Romania. This portrait immortalizes her grace and charm during this pivotal time in her life. The artist behind this masterpiece is Stefano Bianchetti from the French School of the 19th century. His attention to detail is evident in every stroke, capturing not only Elisabeth's physical features but also conveying a sense of her inner strength. Published in "Le Monde Illustre" on June 23rd, 1877, this engraving became widely known for its portrayal of royalty. It now resides within a private collection where it continues to captivate viewers with its timeless allure. As we gaze upon this print today, we are transported back to an era filled with grandeur and sophistication. The Princess's presence commands our attention while simultaneously evoking a sense of admiration for her role as both wife and future queen. Intriguingly beautiful yet steeped in historical significance, this portrait serves as a testament to the enduring power that art holds over time.
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