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After the rebellion in south of Algeria, french general Serviere wants submission of

After the rebellion in south of Algeria, french general Serviere wants submission of


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After the rebellion in south of Algeria, french general Serviere wants submission of

XEE4158538 After the rebellion in south of Algeria, french general Serviere wants submission of rebels " Le Petit Journal" march 31, 1901 (engraving) by French School, (20th century); Private Collection; (add.info.: french general Serviere wants submission of rebels - a djema (ou dechra), the assembly of notables and wise men who manage the conflicts and the interests of a community, here that of the oasis of Charrouin, in the extreme south of Algeria, asks the aman (the pardon in submission) to the French army, for having offered refuge to Moroccan looters who live in the region, chasing by the french); Stefano Bianchetti; French, out of copyright

Media ID 23707324

© Stefano Bianchetti / Bridgeman Images

Algeria Algeria Algerian Algerian Algerians Algerie Forgiveness International Relations Justice Looting Maghreb Maghrebi Maghrebian Maghrebin Maghrebine Malefactor Moroccan Morocco Repent A Journal Arab Civilization Sudan Years 1900


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EDITORS COMMENTS
The print titled "After the rebellion in south of Algeria, French general Serviere wants submission of rebels" captures a significant moment in history. The engraving, created by the French School in the 20th century, depicts a scene from March 31,1901. In this image, we see General Serviere demanding the surrender of rebels after a rebellion that took place in southern Algeria. The assembly of notables and wise men known as djema or dechra can be seen managing conflicts and interests within the community. The oasis of Charrouin, located in the extreme south of Algeria, is specifically highlighted here. It is revealed that they have offered refuge to Moroccan looters who are being pursued by the French army. This powerful visual representation showcases themes such as justice, colonialism, international relations, and Arab civilization. The presence of military uniforms signifies both power and control exerted by France during this time period. The engraving also highlights elements like repentance and forgiveness through its depiction of aman (pardon) being sought from the French army. This historical event sheds light on the complex dynamics between North Africa and France during this era. Overall, this artwork offers viewers an opportunity to reflect on historical events while contemplating issues related to power dynamics and cultural interactions between different regions.

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