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Rope Dancer at Venice (engraving)

Rope Dancer at Venice (engraving)


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Rope Dancer at Venice (engraving)

1092825 Rope Dancer at Venice (engraving) by French School, (19th century); Private Collection; (add.info.: Rope Dancer at Venice. Illustration for Wonders of Bodily Strength and Skill by Guillaume Depping and Charles Russell (Scribner, 1872).); © Look and Learn; French, out of copyright

Media ID 23510538

© Look and Learn / Bridgeman Images

Balance Bodily Circus Equilibrium Feats Remarkable Rope Skill Strength Tight Tightrope Stroll Strolling


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EDITORS COMMENTS
This print, titled "Rope Dancer at Venice" takes us back to the 19th century circus scene. The engraving, created by an anonymous French artist, showcases a remarkable display of bodily strength and skill. In this mesmerizing image, we see a tightrope walker gracefully walking across a taut rope suspended high above the bustling streets of Venice. With perfect equilibrium and balance, the performer defies gravity as they navigate their way with astonishing precision. The sheer strength and control exhibited by the rope dancer are truly awe-inspiring. Every step taken on that thin line requires immense concentration and physical prowess. It is evident that years of practice have honed their ability to perform such daring feats. As we gaze upon this artwork, we cannot help but be captivated by the human body's incredible capabilities. The tightrope walker's every move is a testament to what can be achieved through dedication and discipline. This print was originally featured in Guillaume Depping and Charles Russell's book "Wonders of Bodily Strength and Skill" published in 1872. Its inclusion in this publication speaks volumes about its significance as an example of extraordinary human achievement. Bridgeman Images has preserved this historical masterpiece for us to appreciate today—a reminder that even in our modern world filled with technological wonders, there is still something magical about witnessing these timeless displays of talent and courage.

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