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Treve of the Lord under Henry I in 1004: The Virgin appearing at the Timberman
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Treve of the Lord under Henry I in 1004: The Virgin appearing at the Timberman
XEE4403996 Treve of the Lord under Henry I in 1004: The Virgin appearing at the Timberman, near the Puy-en-Velay (Puy en Velay, Haute Loire), gives her a medal and orders her to work for Peace: this is the starting point of the Treve de Dieu set up in 1044. Engraving by Moreau le jeune (18th century). by Moreau, Jean Michel the Younger (1741-1814) (after); Private Collection; (add.info.: Treve of the Lord under Henry I in 1004: The Virgin appearing at the Timberman, near the Puy-en-Velay (Puy en Velay, Haute Loire), gives her a medal and orders her to work for Peace: this is the starting point of the Treve de Dieu set up in 1044. Engraving by Moreau le jeune (18th century).); Stefano Bianchetti; French, out of copyright
Media ID 22301132
© Stefano Bianchetti / Bridgeman Images
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Treve of the Lord under Henry I in 1004 - The Virgin appearing at the Timberman
EDITORS COMMENTS
. This print captures a pivotal moment in history, depicting an engraving by Moreau le jeune from the 18th century. The scene takes us back to the year 1004 when Henry I ruled and showcases an extraordinary event near Puy-en-Velay, Haute Loire. In this remarkable depiction, we witness the Virgin Mary herself appearing before a timberman. She bestows upon him a medal and imparts a divine order to work for peace. This encounter serves as the catalyst for what would become known as Treve de Dieu or "Truce of God" established in 1044. The engraving beautifully portrays this significant biblical event with intricate details that transport us to medieval times. It is evident that Moreau le jeune's skillful craftsmanship has brought this historical moment to life. As we gaze upon this artwork, we are reminded of the power of faith and how it can inspire individuals to strive for harmony amidst conflict. The image invites contemplation on themes such as spirituality, miracles, and religious devotion. Stefano Bianchetti's photograph preserves not only an exquisite piece of art but also a glimpse into our collective past—a testament to human creativity and our enduring fascination with stories from antiquity.
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