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Two Pairs of Portraits, Presented to All the Unbiased Electors of Great Britain by John Horne Tooke, 1798 (engraving)
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Two Pairs of Portraits, Presented to All the Unbiased Electors of Great Britain by John Horne Tooke, 1798 (engraving)
7148304 Two Pairs of Portraits, Presented to All the Unbiased Electors of Great Britain by John Horne Tooke, 1798 (engraving) by Gillray, James (1757-1815) (after); Private Collection; (add.info.: Two Pairs of Portraits, Presented to All the Unbiased Electors of Great Britain by John Horne Tooke, 1798. Illustration from A History of Parliamentary Elections and Electioneering from the Stuarts to Queen Victoria, by Joseph Grego (Chatto & Windus, London, 1892).); © Look and Learn
Media ID 24684638
© Look and Learn / Bridgeman Images
Chancellor Election Electioneering Elections General Election Machiavelli Niccolo Machiavelli Painte Prime Minister Voter Voters Book Author
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EDITORS COMMENTS
This print titled "Two Pairs of Portraits, Presented to All the Unbiased Electors of Great Britain" by John Horne Tooke in 1798 is a satirical masterpiece that offers a glimpse into the political landscape of 18th century Britain. Created by renowned artist James Gillray and now housed in a private collection, this engraving showcases the skillful artistry and wit for which Gillray was known. The print depicts two pairs of portraits, representing opposing political factions during an election period. With meticulous detail and clever caricature, Gillray captures the essence of each politician's character and ideology. The artwork serves as both a historical document and a humorous commentary on the state of British politics at that time. As we delve into this piece from A History of Parliamentary Elections and Electioneering by Joseph Grego, we are transported back to an era where elections were fiercely contested events. The image invites us to reflect on how electoral campaigns have evolved over time while highlighting enduring themes such as voter bias, electioneering tactics, and the power dynamics within British society. Through its intricate engravings and subtle humor, this artwork reminds us that satire has long been used as a tool for social critique. It prompts us to consider our own contemporary political climate while appreciating the artistic genius behind this timeless piece.
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