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The Yellow Woodpecker with Black Spots, 1749-73 (coloured engraving)
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The Yellow Woodpecker with Black Spots, 1749-73 (coloured engraving)
1110648 The Yellow Woodpecker with Black Spots, 1749-73 (coloured engraving) by Edwards, George (1694-1773) (after); Private Collection; (add.info.: Seligmann was a German engraver, illustrator and art dealer from Nuremberg. Originally engraved by George Edwards in his works A Natural History of Uncommon Birds and Gleanings of Natural History Michael Seligmann re-engraved the plates and combined it with Catesbys work A Natural History of Carolina, Florida and the Bahama Islands translating the names into German and adding some figures and plants not present in the originals.
Der Gelbe Specht oder BaumhAacker mit schwarzen Flecken, Tiere, VAogel, Illustration, Naturgeschichte
Picus flavus maculis nigris); ePurix Verlag Volker Christen; English, out of copyright
Media ID 23031174
© Purix Verlag Volker Christen / Bridgeman Images
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EDITORS COMMENTS
This coloured engraving, titled "The Yellow Woodpecker with Black Spots" transports us back to the 18th century. Created between 1749 and 1773 by George Edwards, a renowned naturalist and artist, this print showcases his meticulous attention to detail. Originally engraved by Edwards himself in his works on uncommon birds, it was later re-engraved by Michael Seligmann. Seligmann, a German engraver and art dealer from Nuremberg, combined Edwards' plates with the work of Mark Catesby's "A Natural History of Carolina, Florida and the Bahama Islands". This collaboration resulted in an exquisite fusion of artistic styles and scientific accuracy. In this particular piece, we see the vibrant yellow woodpecker adorned with striking black spots. The bird's plumage is meticulously rendered, capturing every feather in intricate detail. Its beady eyes exude curiosity as it perches upon a branch amidst lush foliage. This print not only serves as a testament to the beauty of nature but also highlights the importance of cross-cultural collaborations within scientific illustration. By translating names into German and incorporating additional figures and plants not present in the original works, Seligmann adds depth to this already stunning composition. Displayed proudly in a private collection today, this artwork continues to captivate viewers with its timeless charm. It stands as a reminder that even centuries-old prints can still evoke wonderment and appreciation for our natural world.
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