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Left panel of the Baptism of Christ, c. 1502-08 (oil on panel)
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Left panel of the Baptism of Christ, c. 1502-08 (oil on panel)
489875 Left panel of the Baptism of Christ, c.1502-08 (oil on panel) by David, Gerard (c.1460-1523); Groeningemuseum, Bruges, Belgium; (add.info.: Also known as the Triptych of Jean des Trompes.
The triptych was commissioned by the treasurer of the city of Bruges, Jean des Trompes. The central panel shows the baptism of Christ, and the left and right panels show the donor's family and patron saints; Jean des Trompe and his son with St. John the Evangelist, and his wife depicted with her four daughters and St. Elisabeth of Hungary.); © Art in Flanders
Media ID 28436950
© Look and Learn / Peter Jackson Collection / Bridgeman Images
109 Oxford Street 14 January 1893 Boyd Cape Donor Duffle Eiderdon Frieze Hatterie Henry Heath Kneeled Down Overcoat Panama Panel Pray Prayers Straw Triptych Ulster Waterproof Winter Coat Yachting Adverisements Adverting Advertise Advertisers Advertising Company Advertisment Advertizing Costume Design Fancy Dress Fancy Dress Costume
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EDITORS COMMENTS
This print showcases the left panel of the Baptism of Christ, a masterpiece created by Gerard David between 1502 and 1508. Painted with oil on panel, this artwork is currently housed in the Groeningemuseum in Bruges, Belgium. Also known as the Triptych of Jean des Trompes, it was commissioned by Jean des Trompes, who served as the treasurer of Bruges. The central panel depicts the baptism of Christ while the left and right panels portray Jean des Trompes' family and patron saints. On this particular side, we see Jean des Trompes himself alongside his son and St. John the Evangelist. His wife is also depicted with her four daughters and St. Elisabeth of Hungary. The attention to detail in this painting is remarkable; every figure's expression conveys a sense of devotion and prayerfulness. The composition beautifully captures moments frozen in time - from Saint John kneeling down to pray to Jean des Trompes' son gazing intently at his father. Beyond its artistic significance, this print offers a glimpse into historical fashion trends as well. It features various types of coats worn by individuals within the painting - from winter coats to capes and overcoats - showcasing different styles prevalent during that era. Overall, this exquisite artwork serves as an important testament to Gerard David's talent as well as providing insight into both religious narratives and period costume design.
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