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Bindweed, Dogs Bane and Sea Bindweed, from Hortus Eystettensis
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Bindweed, Dogs Bane and Sea Bindweed, from Hortus Eystettensis
3359443 Bindweed, Dogs Bane and Sea Bindweed, from Hortus Eystettensis, by Basil Besler (1561-1629), pub. 1613 (hand coloured engraving) by German School, (17th century); Private Collection; (add.info.: I Convoluulus maior flore albo (wild morning glory Calystegiasepium); II Scammonca Monspelliens (Cynachum acutum); III Soldanella Marina (Calystegia soldanella); Besler was an apothecary in Nuremberg and was in charge of the gardens of the Prince Bishop near Eichstat; ); The Stapleton Collection; German, out of copyright
Media ID 23474440
© The Stapleton Collection / Bridgeman Images
Bindweed Climbing Plant Seashore
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This print showcases the exquisite beauty of Bindweed, Dogs Bane, and Sea Bindweed from Hortus Eystettensis. Created by Basil Besler in 1613, this hand-colored engraving is a true masterpiece of botanical art. The image features three distinct species: Convoluulus maior flore albo (wild morning glory Calystegiasepium), Scammonca Monspelliens (Cynachum acutum), and Soldanella Marina (Calystegia soldanella). Each plant possesses its own unique charm and allure. Besler's expertise as an apothecary in Nuremberg shines through in his meticulous attention to detail. The delicate petals, intricate leaves, and winding tendrils are rendered with precision and grace. It is evident that these plants were not only admired for their aesthetic appeal but also valued for their medicinal properties. Notably, Dogs Bane holds a special significance as it was known to repel dogs. This attribute adds an intriguing layer to the composition, highlighting the multifaceted nature of these botanical wonders. With its coastal backdrop, this enchanting print transports us to the seashore where these bindweeds thrive. The juxtaposition of land and sea creates a harmonious balance between earthy tones and vibrant blues. Overall, this stunning artwork captures the essence of nature's splendor while celebrating the scientific curiosity prevalent during Besler's time. It serves as a testament to both artistic
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