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Maximilian II. Emanuel, 1884-90 (phototype)
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Maximilian II. Emanuel, 1884-90 (phototype)
1002188 Maximilian II. Emanuel, 1884-90 (phototype) by German School, (19th century); Private Collection; (add.info.: Maximilian II. Emanuel, 1884-90 (phototype) (1662-1726) Elector of Bavaria. Engraving by Cornelius Vermeulen (1644 - 1710) after the painting by Josephe Vivien (1657 - 1736)
A Allgemeines Historisches PortrAatwerkA, 1884-90, published by Dr. Woldemar von Seidlitz (1850-1922)
KurfAorst von Bayern. Stich von Cornelius Vermeulen (1644 - 1710) nach dem GemAalde von Josephe Vivien (1657 - 1736)
Maximilian II. Emanuel Ludwig Maria Joseph Kajetan Anton Nikolaus Franz Ignaz Felix, Max Emanuel); ePurix Verlag Volker Christen; German, out of copyright
Media ID 22520834
© Purix Verlag Volker Christen / Bridgeman Images
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EDITORS COMMENTS
The captivating print of Maximilian II. Emanuel, taken between 1884-90 by the German School in the 19th century, offers a glimpse into the life of this influential figure. Maximilian II. Emanuel (1662-1726), known as the Elector of Bavaria, is portrayed with regal elegance and an air of authority. This phototype print is based on an engraving by Cornelius Vermeulen (1644 - 1710) after a painting by Josephe Vivien (1657 - 1736). The fine details captured in this image highlight both the skill of the photographer and the talent of these renowned artists. Published in A Allgemeines Historisches PorträtwerkA between 1884-90, under Dr. Woldemar von Seidlitz's guidance (1850-1922), this photograph serves as a historical document that preserves Maximilian II. Emanuel's legacy for future generations to admire. Maximilian II. Emanuel Ludwig Maria Joseph Kajetan Anton Nikolaus Franz Ignaz Felix, Max Emanuel was not only an Elector but also held significant political power during his reign. This portrait showcases his dignified presence and hints at his influence over Bavaria during that time. Bridgeman Images has brought forth this remarkable piece from their collection through ePurix Verlag Volker Christen without any commercial use intentions or association with mzphoto company mentioned here. Overall, this print captures Maxim
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