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Plaque, probably from a Reliquary Shrine, c. 1180-1190 (gilded copper
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Plaque, probably from a Reliquary Shrine, c. 1180-1190 (gilded copper
491464 Plaque, probably from a Reliquary Shrine, c.1180-1190 (gilded copper, champleveand cloisonneenamel) by Romanesque, (12th century); h:4.30 w:8.85 cm; Cleveland Museum of Art, OH, USA; (add.info.: This enamel plaque has been linked to the original decoration of the Shrine of the Three Kings in Cologne Cathedral, attributed to Nicholas of Verdun, one of the most important goldsmiths of the late 12th century.
); Purchase from the J. H. Wade Fund; out of copyright
Media ID 23253870
© Purchase from the J. H. Wade Fund / Bridgeman Images
C12th Cologne Enamel Enamelled Plaque Rhine Valley Romanesque
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EDITORS COMMENTS
This print showcases a stunning plaque, believed to be from a Reliquary Shrine, dating back to the late 12th century. Crafted with intricate detail and precision, this gilded copper piece is adorned with champlevé and cloisonné enamel work. Measuring at approximately 4.30 cm in height and 8.85 cm in width, it is currently housed at the Cleveland Museum of Art in Ohio, USA. The historical significance of this enamel plaque lies in its connection to the original decoration of the Shrine of the Three Kings in Cologne Cathedral. It has been attributed to Nicholas of Verdun, an esteemed goldsmith during that era. The exquisite craftsmanship and delicate floral patterns displayed on this artwork are testament to his mastery. The vibrant colors and meticulous detailing make this religious object truly mesmerizing. Its Christian symbolism resonates through every brushstroke as it transports viewers back to medieval times when such pieces were highly valued for their spiritual importance. Originating from Germany's Rhine Valley region, this Romanesque artifact represents a remarkable fusion of artistry and faith. Its enamelled surface brings life to enchanting flowers depicted within a decorative pattern. As we gaze upon this photograph by Bridgeman Images, we are reminded not only of its artistic beauty but also its cultural significance within Christianity during the twelfth century.
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