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Autoportrait a moitie nu (Semi-Nude Self-Portrait) - Peinture de Richard Gerstl (1883-1908), huile sur toile (159x109 cm), 1904-1905 - Leopold Museum, Vienne (Autriche)

Autoportrait a moitie nu (Semi-Nude Self-Portrait) - Peinture de Richard Gerstl (1883-1908), huile sur toile (159x109 cm), 1904-1905 - Leopold Museum, Vienne (Autriche)


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Autoportrait a moitie nu (Semi-Nude Self-Portrait) - Peinture de Richard Gerstl (1883-1908), huile sur toile (159x109 cm), 1904-1905 - Leopold Museum, Vienne (Autriche)

FIA5385546 Autoportrait a moitie nu (Semi-Nude Self-Portrait) - Peinture de Richard Gerstl (1883-1908), huile sur toile (159x109 cm), 1904-1905 - Leopold Museum, Vienne (Autriche) by Gerstl, Richard (1883-1908); Leopold Museum, Vienna, Austria; Photo © Fine Art Images

Media ID 24676568

© Fine Art Images / Bridgeman Images

Self Portrait Selfportrait


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EDITORS COMMENTS
This print showcases Richard Gerstl's "Autoportrait a moitie nu (Semi-Nude Self-Portrait)" a stunning oil painting that measures 159x109 cm. Created between 1904 and 1905, this masterpiece is housed in the renowned Leopold Museum in Vienna, Austria. Gerstl, an Austrian painter who lived from 1883 to 1908, expertly captures his own image with raw vulnerability and artistic brilliance. In this self-portrait, he bares his body partially nude, revealing both physical and emotional layers of himself. The artist's use of color adds depth and intensity to the composition. The warm hues evoke a sense of passion while contrasting with cooler tones that convey introspection. Gerstl's brushwork displays confident strokes that bring life to every contour and texture on the canvas. Through this self-portrait, Gerstl explores themes of identity and self-expression. His gaze meets the viewer's eyes directly, inviting us into his inner world as he confronts his own nakedness - both literally and metaphorically. As we contemplate this powerful artwork captured by Bridgeman Images for Fine Art Finder, we are reminded of the profound impact art can have on our understanding of ourselves and others. This portrait serves as a testament to Gerstl's talent as well as his willingness to expose his true self through paintbrushes rather than words alone.

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