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Princess Ginevra is innocent and the fight between the slander
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Princess Ginevra is innocent and the fight between the slander
GIA4731574 Princess Ginevra is innocent and the fight between the slander and the unknown knight who came to defend Ginevra is interrupted. scene of the knight poem of " Orlando Furioso" (The Furious Roland) by Ludovico Ariosto (1474 - 1533) called L Arioste. Chant V. by Italian School; Private Collection; (add.info.: Princess Ginevra is innocent and the fight between the slander and the unknown knight who came to defend Ginevra is interrupted. scene of the knight poem of " Orlando Furioso" (The Furious Roland) by Ludovico Ariosto (1474 - 1533) called L Arioste. Chant V.); eGiancarlo Costa; Italian, out of copyright
Media ID 23734678
© Giancarlo Costa / Bridgeman Images
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Princess Ginevra - A Tale of Innocence and Chivalry
EDITORS COMMENTS
. In this print, we are transported to the enchanting world of Ludovico Ariosto's "Orlando Furioso". The scene depicts Princess Ginevra, a symbol of purity and virtue, caught in the midst of a fierce battle between slanderous accusations and an unknown knight who has come to her defense. The artist Giancarlo Costa skillfully captures the intensity and drama of this moment. The engraving showcases intricate details that bring the characters to life, from the determined expression on Princess Ginevra's face to the valiant stance of the mysterious knight. Ariosto's epic poem explores themes of love, honor, and heroism. In this particular scene from Canto V, we witness a pivotal interruption in the fight as truth begins to prevail over falsehood. It is a testament to Princess Ginevra's innocence that she is not only defended by an anonymous champion but also that their intervention disrupts the ongoing conflict. As viewers, we are reminded of timeless ideals such as justice and chivalry. This print serves as a visual reminder that even in times when slander threatens one's reputation or integrity, there will always be noble souls willing to stand up for what is right. Giancarlo Costa's masterful interpretation brings together literature and art seamlessly. Through his skilled craftsmanship, he invites us into Ariosto's fantastical realm where princesses can be innocent despite
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