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Cartoon portraits of the characters of the journals reaction: Jacques Jalmey, Gustave Frison, Ternadouille, Pie Panthere, Georges Hardy, Capouchino and Nilrem

Cartoon portraits of the characters of the journals reaction: Jacques Jalmey, Gustave Frison, Ternadouille, Pie Panthere, Georges Hardy, Capouchino and Nilrem


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Cartoon portraits of the characters of the journals reaction: Jacques Jalmey, Gustave Frison, Ternadouille, Pie Panthere, Georges Hardy, Capouchino and Nilrem

XEE4169538 Cartoon portraits of the characters of the journals reaction: Jacques Jalmey, Gustave Frison, Ternadouille, Pie Panthere, Georges Hardy, Capouchino and Nilrem. Drawing by Gustave Frison in " The Pleasant World" Weekly, comical and satic journal of 1880. by Frison, Gustave (b.1850); Private Collection; (add.info.: Cartoon portraits of the characters of the journals reaction: Jacques Jalmey, Gustave Frison, Ternadouille, Pie Panthere, Georges Hardy, Capouchino and Nilrem. Drawing by Gustave Frison in " The Pleasant World" Weekly, comical and satic journal of 1880.); Stefano Bianchetti; French, out of copyright

Media ID 25164356

© Stefano Bianchetti / Bridgeman Images

Cartoonist Journalist


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EDITORS COMMENTS
This vibrant and lively print captures the essence of a bygone era, showcasing cartoon portraits of the beloved characters from "The Pleasant World". Weekly, a comical and satirical journal from 1880. Created by the talented Gustave Frison, this drawing brings to life Jacques Jalmey, Gustave Frison himself, Ternadouille, Pie Panthere, Georges Hardy, Capouchino and Nilrem in all their animated glory. Each character is meticulously depicted with exaggerated features that highlight their unique personalities. From Jacques Jalmey's mischievous grin to Gustave Frison's quizzical expression, every detail adds depth and charm to these caricatures. The artist's skillful use of lines and shading creates a sense of movement and energy within the composition. As we gaze upon this artwork today, it offers us a glimpse into the world of French journalism during the late 19th century. It reminds us of an era when satire played an important role in society as a means to critique political figures or societal norms. This print serves as both a historical artifact and an artistic masterpiece. It invites us to appreciate not only the talent behind its creation but also reflects on how humor has been used throughout history as a powerful tool for social commentary.

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