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Saint Jean Baptiste en prison recoit la visite de deux disciples - Peinture de Giovanni di Paolo (vers 1403-1482), tempera sur bois (68, 3x40 cm), 1455-1460 - (Saint John the Baptist in Prison Visited by Two Disciples)

Saint Jean Baptiste en prison recoit la visite de deux disciples - Peinture de Giovanni di Paolo (vers 1403-1482), tempera sur bois (68, 3x40 cm), 1455-1460 - (Saint John the Baptist in Prison Visited by Two Disciples)


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Saint Jean Baptiste en prison recoit la visite de deux disciples - Peinture de Giovanni di Paolo (vers 1403-1482), tempera sur bois (68, 3x40 cm), 1455-1460 - (Saint John the Baptist in Prison Visited by Two Disciples)

FIA5387978 Saint Jean Baptiste en prison recoit la visite de deux disciples - Peinture de Giovanni di Paolo (vers 1403-1482), tempera sur bois (68, 3x40 cm), 1455-1460 - (Saint John the Baptist in Prison Visited by Two Disciples, tempera on panel by Giovanni i Paolo, 1455-1460) - Art Institute of Chicago by Paolo, Giovanni di (c.1389-1482); The Art Institute of Chicago, IL, USA; Photo © Fine Art Images

Media ID 24711054

© Fine Art Images / Bridgeman Images

Aureola Hidden Face Jail Saint John The Baptist Santo Tawny Visiting Conversation Prisoner Quattrocento


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EDITORS COMMENTS
This print showcases the exquisite painting "Saint Jean Baptiste en prison recoit la visite de deux disciples" by Giovanni di Paolo. Created between 1455 and 1460, this tempera on wood masterpiece measures 68.3x40 cm and is currently housed at the Art Institute of Chicago. The artwork depicts Saint John the Baptist in prison, visited by two devoted disciples. The vibrant colors and meticulous details bring this biblical scene to life, capturing a moment of profound emotion and spiritual connection. Saint John's hidden face reflects his anguish as he awaits his fate, while the visiting disciples engage in a heartfelt conversation with their beloved mentor. Giovanni di Paolo's skillful brushwork is evident in every stroke, from the delicate folds of fabric to the intricate patterns adorning the figures' garments. The use of color adds depth and richness to this quattrocento masterpiece, enhancing its visual impact. In addition to its religious significance, this painting also incorporates elements of nature through an animal presence - a tawny creature stands nearby, adding an intriguing touch to the composition. As we contemplate this remarkable artwork captured in print form, we are reminded of both its historical importance within Renaissance art and its timeless ability to evoke powerful emotions within viewers.

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