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Emperor Charles and his Mistress Johanna van der Gheynst at the Cradle of their Daughter Margaret, 1844 (oil on canvas)
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Emperor Charles and his Mistress Johanna van der Gheynst at the Cradle of their Daughter Margaret, 1844 (oil on canvas)
LAF471005 Emperor Charles and his Mistress Johanna van der Gheynst at the Cradle of their Daughter Margaret, 1844 (oil on canvas) by Canneel, Theodore Joseph (1817-92); 108.2x80.5 cm; Museum voor Schone Kunsten, Ghent, Belgium; (add.info.: Charles V (1500-58) Holy Roman Emperor. Johanna Maria van der Gheynst (c.1500-41). Margaret (1522-86) Duchess of Parma.); © Art in Flanders
Media ID 28437058
© Art in Flanders / Bridgeman Images
Asleep Charles Quint Charles V 1500 1558 Charles V Holy Roman Emperor 1500 1558 Cradle Crib Doze Emperor Charles 5 Emperor Charles V Falling Asleep Habsburg Habsburg Monarchy Hapsburg Holy Roman Emperor Illegitimate Mistress Napping Lovers New Baby New Born New Born Babes New Born Infant Newborn Newly Born
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EDITORS COMMENTS
This oil on canvas painting, titled "Emperor Charles and his Mistress Johanna van der Gheynst at the Cradle of their Daughter Margaret" depicts a tender moment in history. Painted by Theodore Joseph Canneel in 1844, this artwork measures 108.2x80.5 cm and is currently housed in the Museum voor Schone Kunsten in Ghent, Belgium. The scene showcases Emperor Charles V (1500-58), the Holy Roman Emperor, alongside his mistress Johanna Maria van der Gheynst (c. 1500-41) as they stand near the cradle of their daughter Margaret (1522-86), who would later become Duchess of Parma. The composition exudes an atmosphere of intimacy and secrecy, as this relationship was considered illegitimate during that time. Intriguingly, both Charles V and Johanna are depicted asleep or dozing off while standing next to each other. This adds a sense of vulnerability to the painting and highlights their deep connection despite societal constraints. Canneel's attention to detail is evident throughout the piece; from the intricate design of the cradle to the soft lighting illuminating their faces, every element contributes to creating a serene ambiance. This artwork provides a glimpse into European history during the 16th century when power dynamics were intertwined with personal relationships. It serves as a reminder that even powerful figures like emperors could experience love outside conventional boundaries. Overall, this painting captures not only an intimate family moment but also reflects upon themes such as love, secrecy, and social expectations prevalent during that era.
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