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L Assiette au Beurre, number 199, Satirique en couleurs, 1905_2_11: Ministere de l Interieur - Etienne Eugene (1844-1921) (lithograph)
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L Assiette au Beurre, number 199, Satirique en couleurs, 1905_2_11: Ministere de l Interieur - Etienne Eugene (1844-1921) (lithograph)
ICA4901235 L Assiette au Beurre, number 199, Satirique en couleurs, 1905_2_11: Ministere de l Interieur - Etienne Eugene (1844-1921) (lithograph) by Camara, Leal de (1877-1948); (add.info.: L Plate au beurre, number 199, Satirique en couleurs, 1905_2_11: Ministere de l Interieur - Etienne Eugene (1844-1921) - Illustration by Leal de Camara (1877-1948)); Photo © Caricadoc
Media ID 25143846
© Caricadoc / Bridgeman Images
Infantilisation Nightgown Caricadoc Transport Vehicle Years 1900
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This lithograph from 1905, titled "L'Assiette au Beurre, number 199, Satirique en couleurs" offers a thought-provoking glimpse into the political landscape of early 20th century France. Created by the talented artist Leal de Camara (1877-1948), this piece is part of a satirical series that aimed to critique and expose various aspects of French society. In this particular print, we are presented with an intriguing scene featuring Etienne Eugene (1844-1921), who served as the Minister of Interior during that time. The use of vibrant colors and intricate details draws our attention to his portrait, capturing both his physical appearance and perhaps hinting at his personality traits. The composition cleverly combines elements such as human figures, transport vehicles, and even nightgowns to convey a deeper message about government and its workings. Through caricature-like depictions and subtle symbolism, the artist invites viewers to reflect on power dynamics within politics while also highlighting societal issues prevalent in France during those years. As we delve into this historical artwork captured by Caricadoc's lens for Bridgeman Images, it becomes evident that it serves not only as a visual representation but also as a powerful commentary on the infantilization of certain individuals or groups within society. This lithograph stands as a testament to the enduring impact art can have in shedding light on important social matters throughout history.
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