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Caricature of the audience at the Commemoration of Handel in Westminster Abbey

Caricature of the audience at the Commemoration of Handel in Westminster Abbey


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Caricature of the audience at the Commemoration of Handel in Westminster Abbey

DEC84541 Caricature of the audience at the Commemoration of Handel in Westminster Abbey, 1787 (ink and watercolour) by Nixon, John (1760-1818); 13x16.5 cm; Gerald Coke Handel Collection, Foundling Museum, London; (add.info.: The first Handel festival or " Commemoration" took place in Westminster Abbey in 1784 marking the 25th anniversary of the death of George Frideric Handel in 1759 and performances were repeated in subsequent years. Organized by John Montagu, 4th Earl of Sandwich and the Concerts of Antient Music, these took the form of a series of concerts of Handels music, given in the Abbey by vast numbers of singers and instrumentalists.
(see also 84542)
); eGerald Coke Handel Collection, Foundling Museum; English, out of copyright

Media ID 22684420

© Gerald Coke Handel Collection, Foundling Museum / Bridgeman Images

Balcony Benefit Concert Four People Gallery Messiah Opera Glasses Ecclesiastical George Frederick


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EDITORS COMMENTS
This ink and watercolor print by John Nixon captures the lively atmosphere of the Commemoration of Handel in Westminster Abbey in 1787. The event, organized by John Montagu, 4th Earl of Sandwich and the Concerts of Antient Music, was a grand celebration marking the 25th anniversary of George Frideric Handel's death. In this artwork, Nixon skillfully portrays a bustling scene filled with an array of characters from different walks of life. From wealthy benefactors to music enthusiasts, each individual is depicted with humor and charm. The artist's attention to detail is evident as he showcases various elements such as opera glasses, concert programs, and even a balcony view. The composition highlights the vast number of singers and instrumentalists who came together to perform Handel's music within the majestic walls of Westminster Abbey. The audience members are seen engrossed in the performance, their expressions ranging from awe to delight. Nixon's use of vibrant colors brings life to this Georgian-era gathering. It serves as a testament to not only Handel's enduring legacy but also to the power that music holds in bringing people together across social boundaries. This remarkable print is part of the Gerald Coke Handel Collection at London's Foundling Museum—a treasure trove for art lovers and history enthusiasts alike. It offers us a glimpse into an unforgettable moment in musical history while reminding us that great art has always had the ability to unite diverse audiences through shared experiences.

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