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Admission to the Strangers Gallery of the House of Commons (engraving)

Admission to the Strangers Gallery of the House of Commons (engraving)


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Admission to the Strangers Gallery of the House of Commons (engraving)

1590283 Admission to the Strangers Gallery of the House of Commons (engraving) by Furniss, Harry (1854-1925) (after); Private Collection; (add.info.: Admission to the Strangers Gallery of the House of Commons. Illustration for The Illustrated London News, 12 March 1881.
Harry Furniss); Look and Learn / Illustrated Papers Collection

Media ID 23073906

© Look and Learn / Illustrated Papers Collection / Bridgeman Images

Admission House Of Commons Mr Smith Parliament Buildings Police Preliminaries Single Chairs Strangers Gallery Thrown Furnish Home Furnishing Outsiders Piece Of Furniture Upholstered Goods


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> Arts > Artists > F > Harry Furniss

> Europe > United Kingdom > England > London > Police

> Europe > United Kingdom > England > London > Politics > Related Images

> Fine Art Finder > Artists > Harry (after) Furniss

> Fine Art Finder > Artists > Henry Robert Robertson

> Popular Themes > Politics


EDITORS COMMENTS
This engraving titled "Admission to the Strangers Gallery of the House of Commons" takes us back in time to witness a significant moment in British political history. Created by Harry Furniss, this print captures the atmosphere and intrigue surrounding access to the prestigious Strangers Gallery. The image showcases a bustling scene filled with anticipation as individuals eagerly await admission into this exclusive gallery. The grandeur of the parliament buildings is evident, with its impressive architecture serving as a backdrop for this historic event. The furniture within the gallery is meticulously depicted, highlighting each intricately designed chair that awaits its occupant. Amongst those gathered are outsiders hoping for a glimpse into the world of politics, their expressions reflecting both excitement and curiosity. Policemen stand guard nearby, ensuring order amidst the growing crowd. A man named Mr Smith can be seen at center stage, perhaps representing an ordinary citizen granted entry on this particular day. As we delve deeper into this snapshot from 1881, it becomes clear that Furniss masterfully captured not only physical details but also emotions felt within these walls. This print serves as a testament to his skillful ability to transport viewers back in time and immerse them in historical moments that have shaped our society today.

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