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Triumphs of the Mother of God or Panos de Oro, c. 1500-02 (tapestry)
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Triumphs of the Mother of God or Panos de Oro, c. 1500-02 (tapestry)
CUL4908710 Triumphs of the Mother of God or Panos de Oro, c.1500-02 (tapestry) by Coecke van Aelst, Pieter (1502-50) (attr. to); 330x380 cm; Monasterio del Escorial, Madrid, Spain; (add.info.: Anunciation (La Anunciacion).
Detail of the central scene: Mary, who holds a prayer book surrounded by the Virtues, such as Temperance holding a clock and Faith with a fish.
Second tapestry in the series. Model Colin de Cooter (?). Manufacture Pieter van Aelst (or van Edingen), Brussels. Origin The collection of Joanna of Castile. Exhibition Halls of Honour, together with the other three pieces of the set to which it belongs, called the Golden Cloths. National Heritage (Patrimonio Nacional) inv 10014829. San Lorenzo de El Escorial, Madrid, Spain); Photo © Maeyaert/AIC
Media ID 31715098
© Maeyaert/AIC / Bridgeman Images
1500 Anunciation Appcultura Biblical Figure Broker Clock Decorative Arts Early Modern Era Embroidery Fishes Flemish Flemish Artist Flemish Style Joan The Mad 1479 1555 Madrid Autonomous Community Open Book San Lorenzo De El Escorial Shoal Of Fish Swarm Of Fish Tapestrey Tapestries To Read Virtue Western Art Woman Symbol Biblical Charcter Flemish Art
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EDITORS COMMENTS
This print showcases the "Triumphs of the Mother of God or Panos de Oro" a remarkable tapestry created by Coecke van Aelst, Pieter in 1500-02. With dimensions measuring 330x380 cm, this masterpiece is housed in the Monasterio del Escorial in Madrid, Spain. The detailed central scene depicted in this photograph focuses on Mary, who holds a prayer book while being surrounded by various Virtues. Notably, Temperance can be seen holding a clock symbolizing moderation and Faith is portrayed with a fish representing Christianity. This particular tapestry is the second piece in a series known as the Golden Cloths and was part of Joanna of Castile's collection. The image captured here offers an intriguing glimpse into Flemish art during the early modern era. The vibrant colors and intricate embroidery highlight its significance as both decorative arts and religious symbolism within Western art history. The presence of biblical figures such as Mary adds to its allure for those interested in Christian iconography. Displayed alongside three other pieces from the set it belongs to, this tapestry remains an important part of Spain's National Heritage (Patrimonio Nacional). Its origin lies within Brussels under Pieter van Aelst's craftsmanship before finding its way into San Lorenzo de El Escorial. In conclusion, this print immortalizes an exquisite work that combines elements of allegory, Renaissance aesthetics, and religious devotion—a testament to the enduring impact of Coecke van Aelst's artistic vision during the 16th century.
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