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Le Charivari, Satirique en N & B, 1851_10_16: New toy dedicated by Ratapoil to the children of the Decembrists - Marianne, Bonapartist, Ratapoil Illustration by Honore Daumier (1808-1879)
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Le Charivari, Satirique en N & B, 1851_10_16: New toy dedicated by Ratapoil to the children of the Decembrists - Marianne, Bonapartist, Ratapoil Illustration by Honore Daumier (1808-1879)
ICA4944738 Le Charivari, Satirique en N & B, 1851_10_16: New toy dedicated by Ratapoil to the children of the Decembrists - Marianne, Bonapartist, Ratapoil Illustration by Honore Daumier (1808-1879) by Daumier, Honore (1808-79); (add.info.: Le Charivari, Satirique en N & B, 1851_10_16: New toy dedicated by Ratapoil to the children of the Decembrists - Marianne, Bonapartist, Ratapoil Illustration by Honore Daumier (1808-1879)); Photo © Caricadoc
Media ID 25907246
© Caricadoc / Bridgeman Images
Carnival Circus Daily Newspaper Daumier Daumier Honore 1808 1879 Disguising Gift Gioco Honore 1808 1879 Honore Daumier Justice Marianne Newspaper Stand Parlor Game Plush Plush Animals State Newspaper Toys Ball Games Caricadoc Journalism Parlour Game
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EDITORS COMMENTS
This print titled "Le Charivari, Satirique en N & B, 1851_10_16: New toy dedicated by Ratapoil to the children of the Decembrists - Marianne, Bonapartist, Ratapoil" is an illustration created by the renowned artist Honore Daumier in 1851. The image showcases a powerful allegory that delves into themes of violence and justice within French society during this time. The engraving depicts a circus-like scene where Ratapoil, a fictional character representing political corruption and manipulation, presents a new toy to the children of the Decembrists. This satirical gesture alludes to the way those in power often use distractions or gifts to divert attention from pressing issues. Daumier's masterful portrayal captures both the carnival atmosphere and underlying darkness of this political game. Through his intricate details and expressive strokes, he highlights not only the absurdity but also the consequences of such actions. In this artwork, Daumier cleverly disguises his critique as entertainment while shedding light on societal issues prevalent in 19th-century France. The inclusion of Marianne (symbolizing liberty) and references to Napoleon II further emphasize these themes. As we observe this thought-provoking piece today, it serves as a reminder that art has always been an influential tool for social commentary. Daumier's work continues to resonate with audiences across centuries due to its timeless relevance and artistic brilliance.
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