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Political shelter. Yes, ma am, I present myself as a belisaire
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Political shelter. Yes, ma am, I present myself as a belisaire
LSE4403434 Political shelter. Yes, ma am, I present myself as a belisaire, except that I see it clearly and I lost my little one. You see in me the generalissimo of the army of land and sea of the Prince of Monaco!... Exile by a tyrant jealous of my glory... I will not ask you for an obole. taken from " Tenants et Owners", cartoon series by Honore Daumier (1808-1879). " Charivari", 1842. by Daumier, Honore (1808-79); Private Collection; (add.info.: Political shelter. Yes, ma am, I present myself as a belisaire, except that I see it clearly and I lost my little one. You see in me the generalissimo of the army of land and sea of the Prince of Monaco!... Exile by a tyrant jealous of my glory... I will not ask you for an obole. taken from " Tenants et Owners", cartoon series by Honore Daumier (1808-1879). " Charivari", 1842.); Photo eLeonard de Selva; French, out of copyright
Media ID 22757156
© Leonard de Selva / Bridgeman Images
Daumier Honore 1808 1879 Owner Staircase
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EDITORS COMMENTS
This print titled "Political Shelter" captures a moment of political satire from the 19th century. The image is an engraving by Honore Daumier, a renowned French artist known for his caricatures and social commentary. In the picture, we see a woman standing on a staircase, holding a walking stick. She appears to be listening intently as a man presents himself as Belisaire, the generalissimo of the army of land and sea of the Prince of Monaco. However, there is an air of irony in his words as he mentions losing something dear to him and being exiled by a jealous tyrant. The scene reflects Daumier's sharp wit and criticism towards political figures during that time period. Through this cartoon series called "Tenants et Owners" he cleverly highlights the hypocrisy and grandiosity often associated with those in power. The print itself is beautifully captured by Leonard de Selva, showcasing intricate details and textures that bring out the essence of Daumier's work. It serves as both an artistic representation and historical documentation of political satire in France during the mid-19th century. Overall, this thought-provoking image invites viewers to reflect on power dynamics, societal critique, and human nature through artistry that transcends time.
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