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Dr Philip Hayes, 1788 (oil on canvas)

Dr Philip Hayes, 1788 (oil on canvas)


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Dr Philip Hayes, 1788 (oil on canvas)

NCO324396 Dr Philip Hayes, 1788 (oil on canvas) by Mortimer, John Hamilton (1741-79); Courtesy of the Warden and Scholars of New College, Oxford; (add.info.: Philip Hayes (1738-97) English composer; organist of New College, Oxford; ); English, out of copyright

Media ID 22943704

© Bridgeman Images

Gown Oxford University Score


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> Arts > Artists > M > John Hamilton Mortimer

> Arts > Artists > P > Howard Pyle

> Arts > Fine Art

> Arts > Music

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> Arts > Street art graffiti > Portraits > Fine art

> Europe > United Kingdom > Scotland > Strathclyde > Hamilton

> Fine Art Finder > Artists > Howard Pyle

> Fine Art Finder > Artists > John Hamilton Mortimer

> Fine Art Finder > Music 18th Century

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EDITORS COMMENTS
This oil on canvas portrait, titled "Dr Philip Hayes, 1788" showcases the esteemed English composer and organist of New College, Oxford. Painted by John Hamilton Mortimer in the late 18th century, this masterpiece is a testament to both artistic skill and historical significance. In this full-length portrayal, Dr Philip Hayes sits at a table adorned with musical scores. His composed demeanor exudes authority and expertise as he dons an elegant gown befitting his position as director of music at Oxford University. A meticulously crafted wig crowns his head, symbolizing the fashion trends of the era. The painting's composition highlights not only Dr Hayes' musical prowess but also his contribution to sacred opera. The inclusion of sheet music hints at his dedication to composing and performing religious works that have left an indelible mark on the world of classical music. Displayed against a neutral background, Mortimer's attention to detail shines through in every brushstroke. The artist masterfully captures Dr Philip Hayes' likeness while infusing the portrait with a sense of timeless elegance. Preserved by the Warden and Scholars of New College, Oxford, this remarkable piece offers viewers a glimpse into one man's profound impact on both academia and artistry during England's vibrant cultural renaissance.

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