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The painter and his wife, 1496 (oil on panel)
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The painter and his wife, 1496 (oil on panel)
471119 The painter and his wife, 1496 (oil on panel) by Master of Frankfurt, (1460-c.1533); 38x26 cm; Koninklijk Museum voor Schone Kunsten, Antwerp, Belgium; (add.info.: coat of arms of the Antwerp Guild of Saint Luke
This is one of the earliest Dutch double portraits in a frame and one of the earliest portraits of artists. If it is indeed a self-portrait, it is one of the oldest preserved self portraits too.); © Art in Flanders
Media ID 28434752
© Art in Flanders / Bridgeman Images
Bread Cherries Earliest Frame Lover Mead Self Portrait Status Lovers Northern Renaissance
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The Painter and His Wife, 1496
EDITORS COMMENTS
is a captivating oil on panel print by the Master of Frankfurt. This exquisite artwork, measuring 38x26 cm, can be found at the Koninklijk Museum voor Schone Kunsten in Antwerp, Belgium. The painting showcases a significant piece of history with the inclusion of the coat of arms belonging to the Antwerp Guild of Saint Luke. This double portrait is not only one of the earliest Dutch examples framed together but also one of the earliest depictions of artists themselves. If indeed a self-portrait, it becomes even more remarkable as one of the oldest preserved self-portraits in existence. The composition portrays an intimate scene between husband and wife, capturing their love and affection for each other. The artist's attention to detail is evident in every brushstroke; from the carefully arranged still life elements such as fruit and flowers on a table to symbols representing status like bread and mead. As we delve into this Northern Renaissance masterpiece, we are transported back in time to witness not only an artist at work but also gain insight into their personal lives. It serves as a testament to both artistic skill and human connection that transcends centuries. Bridgeman Images has beautifully reproduced this artwork from Fine Art Finder for art enthusiasts worldwide to appreciate its significance within art history.
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