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St Johns Bridge from the back of the Adam and Eve, Lewins Mead

St Johns Bridge from the back of the Adam and Eve, Lewins Mead


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St Johns Bridge from the back of the Adam and Eve, Lewins Mead

2832341 St Johns Bridge from the back of the Adam and Eve, Lewins Mead, 1821 (pencil & w/c on paper) by O Neill, Hugh (1784-1824); Bristol Museum and Art Gallery, UK; eBristol Museums, Galleries & Archives; Bequest of William Jerdone Braikenridge, 1908; British, out of copyright

Media ID 23473772

© Bristol Museums, Galleries & Archives Bequest of William Jerdone Braikenridge, 1908 / Bridgeman Images

Adam And Eve Avon Bristol Lewins Mead


FEATURES IN THESE COLLECTIONS

> Arts > Artists > Related Images

> Arts > Fine Art

> Arts > Landscape paintings > Waterfall and river artworks > River artworks

> Europe > United Kingdom > England > Avon

> Europe > United Kingdom > England > Bristol > Bristol

> Europe > United Kingdom > England > Paintings

> Europe > United Kingdom > England > Rivers

> Europe > United Kingdom > Paintings

> Fine Art Finder > Artists > Hugh O'Neill

> Fine Art Finder > Britain


EDITORS COMMENTS
This print titled "St Johns Bridge from the back of the Adam and Eve, Lewins Mead" takes us on a journey through time to 1821. The talented artist, Hugh O'Neill, skillfully captured the essence of this picturesque scene in Bristol, England. The image showcases the magnificent St Johns Bridge as seen from the vantage point behind the historic Adam and Eve pub in Lewins Mead. With its pencil and watercolor technique on paper, O'Neill brings life to every detail of this urban landscape. The bridge stands tall and proud over the serene river Avon, connecting both sides of this bustling city. Its elegant arches reflect gracefully upon the calm waters below. This architectural marvel serves as a symbol of unity between communities while adding charm to Bristol's skyline. As we delve into this artwork further, we can't help but appreciate O'Neill's attention to detail. From each brushstroke that depicts nearby buildings to his meticulous rendering of light and shadow dancing across rooftops, he transports us back in time with remarkable precision. Thanks to William Jerdone Braikenridge's generous bequest in 1908, we have access to such a treasure at Bristol Museum and Art Gallery today. This painting is a testament not only to British artistry but also an enduring reminder of our rich cultural heritage. Let yourself be captivated by this enchanting piece that encapsulates both history and beauty within its frame – an ode to Bristol's past for generations yet unborn.

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