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St. Peters Cornhill and Gracechurch Street, London, 1900 (w / c on paper)

St. Peters Cornhill and Gracechurch Street, London, 1900 (w  /  c on paper)


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St. Peters Cornhill and Gracechurch Street, London, 1900 (w / c on paper)

GHL190764 St. Peters Cornhill and Gracechurch Street, London, 1900 (w/c on paper) by Tidmarsh, Henry Edward (1855-1939); London Metropolitan Archives, City of London; (add.info.: built by Sir Christopher Wren in 1677-78; ); eLondon Metropolitan Archives; English, out of copyright

Media ID 23354768

© London Metropolitan Archives / Bridgeman Images

Horse And Carriage Daily Life Scene


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EDITORS COMMENTS
This print takes us back to the bustling streets of London in the year 1900. The image showcases the iconic St. Peters Cornhill and Gracechurch Street, a sight that has stood tall since its construction by Sir Christopher Wren in 1677-78. The scene depicts a vibrant daily life scene, with horse-drawn carriages traversing the cobbled streets below. Victorian-era pedestrians can be seen going about their business, adding an air of authenticity to this snapshot of history frozen in time. Henry Edward Tidmarsh's masterful use of watercolors on paper brings out the architectural beauty of St. Peters Cornhill and Gracechurch Street, capturing every intricate detail with precision and finesse. The soft hues used in this artwork further enhance its nostalgic charm, transporting viewers back to an era long gone. As we gaze upon this painting, we are reminded not only of the rich history embedded within these walls but also of how much London has evolved over centuries while still retaining its unique character. This piece serves as a testament to both human ingenuity and artistic brilliance. Bridgeman Images has once again provided us with a remarkable glimpse into our past through their vast collection of fine art prints. Let this enchanting depiction transport you to another time and place as you marvel at the grandeur that is St. Peters Cornhill and Gracechurch Street in early 20th century London.

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