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Attic red-figure krater depicting a fishmonger, from Lipari, 6th-5th century BC (ceramic) (b / w photo)
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Attic red-figure krater depicting a fishmonger, from Lipari, 6th-5th century BC (ceramic) (b / w photo)
ALI184702 Attic red-figure krater depicting a fishmonger, from Lipari, 6th-5th century BC (ceramic) (b/w photo) by Greek; Museo Mandralisca, Cefalu, Sicily, Italy; (add.info.: le marchand de poisson ou le statere dans la bouche du poisson; ); Alinari
Media ID 23197188
© Alinari / Bridgeman Images
C05th C06th Customer Gutting Knife Poissons Red Figure Seller Selling Vendor
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EDITORS COMMENTS
This print showcases an ancient Attic red-figure krater depicting a fishmonger from Lipari, dating back to the 6th-5th century BC. The ceramic artwork, housed in the Museo Mandralisca in Cefalu, Sicily, Italy, offers a glimpse into the vibrant world of Greek culture during that time. Intriguingly detailed, this image captures the essence of daily life as it once was. The fishmonger is portrayed with great skill and precision; his knife poised expertly as he attends to his customers' needs. A customer stands nearby, perhaps contemplating which fresh catch will grace their dinner table that evening. The artist's mastery is evident in every stroke of this red-figure pottery piece. From the intricate patterns adorning the krater to the lifelike depiction of various sea creatures being gutted by skilled hands - it is truly a work of art that transports us back through centuries. Notably, one can observe a statere (an ancient coin) placed delicately within the mouth of one fish - an intriguing detail that adds depth and symbolism to this scene. This photograph allows us to appreciate not only the artistic prowess but also provides insight into ancient trade practices and cultural traditions surrounding food procurement. It serves as a reminder that even thousands of years ago, people relied on local vendors for their sustenance - connecting communities through commerce and nourishment alike. Overall, this striking image invites contemplation about our shared human
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