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Bushmen making poison from their arrows. Engraving by Y. Pranishnikoff to illustrate the story Huit mois au Kalahari, by M. Farini, in le tour du monde 1886, directed by Edouard Charton (1807-1890), Hachette, Paris
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Bushmen making poison from their arrows. Engraving by Y. Pranishnikoff to illustrate the story Huit mois au Kalahari, by M. Farini, in le tour du monde 1886, directed by Edouard Charton (1807-1890), Hachette, Paris
LSE4334373 Bushmen making poison from their arrows. Engraving by Y.Pranishnikoff to illustrate the story Huit mois au Kalahari, by M.Farini, in le tour du monde 1886, directed by Edouard Charton (1807-1890), Hachette, Paris. by Pranishnikoff, Ivan (1841-1909); Private Collection; (add.info.: Bushmen making poison from their arrows. Engraving by Y.Pranishnikoff to illustrate the story Huit mois au Kalahari, by M.Farini, in le tour du monde 1886, directed by Edouard Charton (1807-1890), Hachette, Paris.); © Leonard de Selva. All rights reserved 2022
Media ID 25171022
© Leonard de Selva. All rights reserved 2022 / Bridgeman Images
Manufacturing Technology Morals Namibia Poison Reptiles Ringed Snake Superstition Afica Afric Central Africa Serpent Snakes
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EDITORS COMMENTS
This print showcases a fascinating engraving by Y. Pranishnikoff, depicting Bushmen in the midst of making poison from their arrows. The artwork was created to illustrate the story "Huit mois au Kalahari" by M. Farini, featured in the renowned publication "Le Tour du Monde" directed by Edouard Charton. The image transports us to the heart of Africa, specifically the Kalahari region, where these indigenous people have honed their manufacturing technology for centuries. With great precision and skill, they extract potent toxins from various sources, including snakes and reptiles. Intriguingly captured is a moment of ritualistic dance performed by these native Bushmen as they engage with nature's secrets. Their deep connection to wildlife and respect for its power are evident in this powerful depiction. Through this engraving, Pranishnikoff not only highlights the practical aspects of arrow-poison production but also sheds light on cultural beliefs and superstitions prevalent among African communities during that time period. Leonard de Selva's careful preservation of this historical piece allows us to appreciate both the artistic mastery behind it and gain insight into an era when human interaction with nature played a vital role in survival. As we gaze upon this remarkable print, we are reminded of Africa's rich heritage and diverse traditions that continue to shape our understanding of its people today.
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