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Detail of a fake polyptych with the Virgin Mary and Child, S. Anthony of Padua, St. John and St. Louis of Toulouse, Chapel of St. Jerome, 1452 (fresco)
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Detail of a fake polyptych with the Virgin Mary and Child, S. Anthony of Padua, St. John and St. Louis of Toulouse, Chapel of St. Jerome, 1452 (fresco)
6204266 Detail of a fake polyptych with the Virgin Mary and Child, S. Anthony of Padua, St. John and St. Louis of Toulouse, Chapel of St. Jerome, 1452 (fresco) by Gozzoli, Benozzo di Lese di Sandro (1420-97); Museo di San Francesco, Montefalco, Perugia, Italy; (add.info.: Church of St. Francis, Chapel of St. Jerome, At the centre of the wall, detail of a fake polyptych with the Virgin Mary and Child, S. Anthony of Padua, St. John and St. Louis of Toulouse.
Montefalco, Complesso Museale di San Francesco, Chiesa di San Francesco, Cappella di S. Gerolamo: affreschi di Benozzo Gozzoli, 1452. Sulla parete, al centro, finto polittico. Particolare con con Madonna con Bambino, S. Antonio da Padova, S. Giovanni e S. Ludovico da Tolosa.); Ghigo Roli
Media ID 25184082
© Ghigo Roli / Bridgeman Images
Affresco Anthony Of Padua Arte Benozzo Gozzoli Complesso Museale S Cristianesimo Francesco Il Quattrocento John The Baptist Louis Of Toulouse Montefalco Museo Perugia Early Xv Century Late Xv Century
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EDITORS COMMENTS
This print showcases a detailed section of a fake polyptych located in the Chapel of St. Jerome, within the Church of St. Francis in Montefalco, Italy. Created by the talented artist Benozzo Gozzoli in 1452, this fresco depicts the Virgin Mary and Child at its center, surrounded by S. Anthony of Padua, St. John, and St. Louis of Toulouse. The intricate brushwork and vibrant colors bring life to each figure portrayed on this faux altarpiece. The Madonna tenderly cradles her child while exuding an aura of serenity and grace. S. Anthony stands beside her with his characteristic attributes as the patron saint of lost things and miracles. Stunning details are also evident in the depictions of St. John and St. Louis of Toulouse, both adorned with their distinctive symbols that represent their roles within Christianity. This photograph captures not only the artistic mastery displayed by Gozzoli but also highlights the historical significance behind this piece being a forgery—a testament to art's ability to deceive even when it comes to matters sacred. Displayed proudly within Museo di San Francesco in Perugia, this image serves as a reminder that art can transcend time and space while evoking emotions through its beauty and craftsmanship.
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