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Equestrian portrait of Muhammad Shah from the Impey Album, detached manuscript folio, c

Equestrian portrait of Muhammad Shah from the Impey Album, detached manuscript folio, c


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Equestrian portrait of Muhammad Shah from the Impey Album, detached manuscript folio, c

3741961 Equestrian portrait of Muhammad Shah from the Impey Album, detached manuscript folio, c.1730 (opaque watercolour and gold on paper) by Mughal School (18th century); 46.9x32.6 cm; Arthur M. Sackler Gallery, Smithsonian Institution, USA; (add.info.: Calligrapher: Daswanth
Mughal dynasty, Reign of Muhammad Shah, ca. 1730
18 7/16 x 12 13/16 in); Arthur M. Sackler Gallery, Smithsonian Institution; Purchase--Smithsonian Unrestricted Trust Funds, Smithsonian Collections Acquisition Program, and Dr. Arthur M. Sackler; Indian, out of copyright

Media ID 23138678

© Arthur M. Sackler Gallery, Smithsonian Institution Purchase--Smithsonian Unrestricted Trust Funds, Smithsonian Collections Acquisition Program, and Dr. Arthur M. Sackler / Bridgeman Images

Detached Manuscript Folio Falconry Henri Vever Collection Shah Halo


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EDITORS COMMENTS
This equestrian portrait of Muhammad Shah, created by the Mughal School in the 18th century, showcases the exquisite artistry and cultural significance of the era. The painting, measuring 46.9x32.6 cm, is a detached manuscript folio from the Impey Album and is currently housed at the Arthur M. Sackler Gallery in Smithsonian Institution, USA. The opaquely watercolored and gold embellished artwork depicts Muhammad Shah during his reign as part of the Mughal dynasty around 1730. The intricate calligraphy by Daswanth further enhances this masterpiece's allure. The composition portrays a regal scene with Muhammad Shah mounted on a horse, exuding power and authority. The attention to detail is evident in every stroke; from his majestic attire to his commanding presence, every element adds to its grandeur. Notably, falconry plays a prominent role in this portrait as well – symbolizing nobility and prowess. It serves as an emblematic representation of both Muhammad Shah's love for hunting and his status as a ruler. As we gaze upon this remarkable piece of Indian art history, we are transported back to an era where tradition met artistic brilliance. Its acquisition by Arthur M. Sackler Gallery through various funds signifies its importance within Smithsonian Collections Acquisition Program. This print captures not only an iconic moment but also preserves India's rich heritage for generations to come - reminding us that art has no boundaries when it comes to transcending

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