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The Unsafe Tenement, 1858 (etching on paper)

The Unsafe Tenement, 1858 (etching on paper)


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The Unsafe Tenement, 1858 (etching on paper)

FSG324506 The Unsafe Tenement, 1858 (etching on paper) by Whistler, James Abbott McNeill (1834-1903); 15.7x22.4 cm; Freer Gallery of Art, Smithsonian Institution, USA; Freer Gallery of Art, Smithsonian Institution; Gift of Charles Lang Freer; American, out of copyright

Media ID 22664300

© Freer Gallery of Art, Smithsonian Institution Gift of Charles Lang Freer / Bridgeman Images

Derelict Disrepair Half Timbered Shanty Slum


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> Animals > Birds > Passerines > Whistlers > Related Images

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> Fine Art Finder > Artists > James Abbott McNeill Whistler

> Fine Art Finder > Landscapes: 18th/19th C


The Unsafe Tenement, 1858

EDITORS COMMENTS
is a haunting etching that captures the harsh realities of poverty and decay in 19th-century America. Created by renowned artist James Abbott McNeill Whistler, this powerful image measures 15.7x22.4 cm and resides within the prestigious Freer Gallery of Art at the Smithsonian Institution. The print depicts a dilapidated half-timbered building, its structure crumbling under the weight of neglect and destitution. The artist's meticulous attention to detail brings forth an atmosphere of desolation and despair, as every line etched on paper seems to echo the struggles faced by those who once called this place home. Whistler's masterful use of light and shadow adds depth to the scene, emphasizing the stark contrast between hopelessness and resilience. This engraving serves as a poignant reminder of societal inequalities during this era, shedding light on slum conditions that were all too common for many marginalized communities. As we gaze upon "The Unsafe Tenement" we are transported back in time to witness firsthand the hardships endured by those living on society's fringes. It stands as both a historical document capturing an era marked by poverty and disrepair while also serving as a testament to Whistler's artistic prowess in conveying complex emotions through his work. This print is not just an exploration into architectural decay; it is an invitation for introspection about our collective responsibility towards creating a more equitable future where no one has to endure such dire circumstances again

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