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The Case is Altered, satire on the defeat of Sir Cecil Wray by Charles James Fox and Samuel Hood in the constituency of Westminster at the 1784 general election (engraving)
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The Case is Altered, satire on the defeat of Sir Cecil Wray by Charles James Fox and Samuel Hood in the constituency of Westminster at the 1784 general election (engraving)
7148313 The Case is Altered, satire on the defeat of Sir Cecil Wray by Charles James Fox and Samuel Hood in the constituency of Westminster at the 1784 general election (engraving) by Rowlandson, Thomas (1756-1827) (after); Private Collection; (add.info.: The Case is Altered, satire on the defeat of Sir Cecil Wray by Charles James Fox and Samuel Hood in the constituency of Westminster at the 1784 general election. Illustration from A History of Parliamentary Elections and Electioneering from the Stuarts to Queen Victoria, by Joseph Grego (Chatto & Windus, London, 1892).); © Look and Learn
Media ID 24684644
© Look and Learn / Bridgeman Images
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The Case is Altered
EDITORS COMMENTS
captures the political satire surrounding the defeat of Sir Cecil Wray by Charles James Fox and Samuel Hood in the Westminster constituency during the 1784 general election. This engraving, created by Thomas Rowlandson and featured in Joseph Grego's book "A History of Parliamentary Elections and Electioneering" offers a fascinating glimpse into British politics during the late 18th century. The image showcases a chaotic scene filled with various elements symbolizing power struggles, manipulation, and public opinion. The central focus lies on a cart hitched to two horses representing opposing candidates. A female driver, possibly symbolizing change or progress, steers this vehicle of democracy through treacherous terrain. Surrounding this main tableau are armed forces and troops, highlighting the intensity and combat-like nature of elections at that time. Satirical drawings and caricatures adorn every corner, depicting voters expressing their opinions while politicians engage in cunning tactics to secure victory. This print serves as both historical documentation and social commentary on electoral practices in Great Britain during this era. It reminds us that even centuries ago, elections were fiercely contested battles where individuals fought for power using wit, strategy, propaganda, and popular support. "The Case is Altered" provides an intriguing window into a pivotal moment in British history when democratic ideals clashed with entrenched interests. Through its intricate details and clever symbolism, it invites viewers to reflect on how far we have come in our pursuit of fair representation while acknowledging that some aspects of politics remain timeless.
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