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The Dissolution or The Alchymist producing an Aetherial Representation, pub
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The Dissolution or The Alchymist producing an Aetherial Representation, pub
2966808 The Dissolution or The Alchymist producing an Aetherial Representation, pub. 1796 (hand coloured engraving) by Gillray, James (1757-1815); Private Collection; (add.info.: William Pitt the Younger (1759-1806); conjuring means to win popularity in the House of Commons; using the crown as a pair of bellows; ); The Stapleton Collection; English, out of copyright
Media ID 22797162
© The Stapleton Collection / Bridgeman Images
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The Dissolution - A Political Alchemist's Spectacle
EDITORS COMMENTS
. In this hand-colored engraving by James Gillray, titled "The Dissolution or The Alchymist producing an Aetherial Representation" we are transported to the political landscape of 18th-century England. The central figure is none other than William Pitt the Younger, the Prime Minister at that time. Gillray masterfully uses satire and symbolism to depict Pitt as an alchemist conjuring up a potion for popularity in the House of Commons. He cleverly employs a crown as a pair of bellows, symbolizing power being used to stoke the flames of public opinion. Surrounding Pitt are various elements representing chaos and disorder in politics. From snakes and crocodiles symbolizing deceit and cunning, to locusts signifying unrest among MPs, each detail adds depth to this satirical masterpiece. Notably, Gillray includes a test tube containing a representation of Parliament itself – disorderly and in uproar. This visual metaphor captures the essence of political turmoil during that era. Through his artistry, Gillray criticizes politicians who were subservient to their own ambitions rather than serving their constituents' interests. With billowing smoke from coal scuttles fueled by gold coins – implying corruption – he highlights how personal gain often took precedence over governing with integrity. Overall, "The Dissolution" serves as both a historical record and biting commentary on Georgian politics. It reminds us that even centuries ago, political satire was used as a powerful tool for social critique.
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