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A Paris Beau, published by Hannah Humphrey in 1794 (hand-coloured etching)

A Paris Beau, published by Hannah Humphrey in 1794 (hand-coloured etching)


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A Paris Beau, published by Hannah Humphrey in 1794 (hand-coloured etching)

NCO189733 A Paris Beau, published by Hannah Humphrey in 1794 (hand-coloured etching) by Gillray, James (1757-1815); Courtesy of the Warden and Scholars of New College, Oxford; (add.info.: dedicated to Miss Mary Stokes; ); English, out of copyright

Media ID 23199950

© Bridgeman Images

Barbaric Bonnet Rouge Buccaneer Coarse Cruel Earring Fierce Grimace Phrygian Cap Pirate Rebel Revolutionary Roundel Sans Culotte Savage Tricolour Ugly French Revolution


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A Paris Beau - A Revolutionary Caricature Unveiled

EDITORS COMMENTS
. This hand-coloured etching, "A Paris Beau" published by Hannah Humphrey in 1794, offers a fascinating glimpse into the turbulent times of the French Revolution. Created by James Gillray, a renowned English caricaturist, this portrait is dedicated to Miss Mary Stokes and captures the essence of an audacious rebel. The image showcases a male figure with a fierce countenance and striking features. His profile reveals a rebellious spirit adorned with an earring and donning the iconic bonnet rouge – symbolizing his allegiance to the revolutionary cause. The tricolour flag proudly displayed behind him further emphasizes his commitment to change. Gillray's masterful artistry highlights every detail of this intriguing character. From his coarse beard and moustache to his phrygian cap reminiscent of ancient liberty fighters, he exudes both strength and barbarism. This buccaneer-like individual challenges societal norms with his sans culotte attire while maintaining an air of ferocity that captivates viewers. Through this vivid portrayal, Gillray exposes not only the physical appearance but also the cruel nature lurking within this Parisian beau. With an ugly grimace on his face and piercing eyes set within an oval frame resembling a pirate's roundel, he embodies both savagery and revolution. As we gaze upon this historical engraving from New College Oxford's collection courtesy of Bridgeman Images, we are transported back in time

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