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Red deadnettle, Lamium purpureum Handcoloured copperplate engraving after a drawing by James Sowerby for James Smith's English Botany, 1800
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Red deadnettle, Lamium purpureum Handcoloured copperplate engraving after a drawing by James Sowerby for James Smith's English Botany, 1800
FLO4699087 Red deadnettle, Lamium purpureum Handcoloured copperplate engraving after a drawing by James Sowerby for James Smith's English Botany, 1800. by Sowerby, James (1757-1822); (add.info.: Red deadnettle, Lamium purpureum Handcoloured copperplate engraving after a drawing by James Sowerby for James Smith's English Botany, 1800.); © Florilegius
Media ID 31712720
© Florilegius / Bridgeman Images
Copperplate English Botany Honeysuckle Perfoliate James Smith James Sowerby Lonicera Caprifolium Botanical Board Florilegius Handcoloured Lamium Purpureum Various Plants
EDITORS COMMENTS
This print showcases a handcoloured copperplate engraving of the Red deadnettle, Lamium purpureum. Created by the talented artist James Sowerby for James Smith's English Botany in 1800, this exquisite piece captures the beauty and intricacy of botanical art from the 19th century. The vibrant red hues of the Red deadnettle petals are brought to life through delicate brushstrokes and meticulous attention to detail. The contrasting shades and textures create a visually stunning composition that draws viewers into the world of natural history. Sowerby's skillful rendering of various plants, including Lonicera caprifolium (honeysuckle perfoliate), adds depth and dimension to this enchanting artwork. Each element is meticulously depicted, allowing us to appreciate both its aesthetic appeal and scientific accuracy. Displayed on a botanical board, this engraving serves as a testament to the knowledge and expertise of artists during this era. It not only captures nature's beauty but also contributes valuable information about different plant species. As we admire this remarkable piece from Fine Art Finder, we are transported back in time to an age where art merged seamlessly with science. Through Sowerby's masterful technique and Bridgeman Images' preservation efforts, we can continue to appreciate the wonders of botany for generations to come.
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