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Predella of the Profanation of the Host: The Christian Woman Forced to Redeem her Cloak at the Price of the Consecrated Host by a Jewish Pawnbroker, c. 1467-69 (tempera on panel) (detail)
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Predella of the Profanation of the Host: The Christian Woman Forced to Redeem her Cloak at the Price of the Consecrated Host by a Jewish Pawnbroker, c. 1467-69 (tempera on panel) (detail)
ALG80440 Predella of the Profanation of the Host: The Christian Woman Forced to Redeem her Cloak at the Price of the Consecrated Host by a Jewish Pawnbroker, c.1467-69 (tempera on panel) (detail) by Uccello, Paolo (1397-1475); Palazzo Ducale, Urbino, Italy
Media ID 25456310
© Bridgeman Images
13 13th Xiii Xiiith Century 13 13th Xiii Xiiith Thirteenth Century 13 Century 13th Century Anti Semitic Antisemitic Antisemitism C13th Coin Concern Easter Exchange Hostie Jewess Jews Judaic Juif Miracle Orthodox Jews Prejudice Preteur Sur Gages Scorpion Seller The 13th Century Thirteenth Century Transaction Xiii Century Xiiith Century Jewish Religion Medieval Period Quattrocento
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EDITORS COMMENTS
This detailed print captures a section of the "Predella of the Profanation of the Host" by Paolo Uccello, painted between 1467-69. The scene depicted here showcases a disturbing incident that reflects anti-Semitic sentiments prevalent during the medieval period. In this particular panel, we witness a Christian woman being coerced into redeeming her cloak at an exorbitant price set by a Jewish pawnbroker. The transaction takes place in what appears to be a shop, with books and coins scattered around, symbolizing commerce and wealth. The painting's composition follows Albertian perspective techniques commonly used during the Renaissance era. However, it is important to note that despite its artistic brilliance, this artwork perpetuates harmful stereotypes and prejudice against Jews. The presence of a scorpion on the coat of arms further emphasizes negative connotations associated with Judaism during that time. This depiction serves as an unsettling reminder of how religious differences were exploited for financial gain or personal vendettas. While acknowledging its historical significance within Italian art history, it is crucial to approach this piece critically and understand its portrayal as part of an unfortunate chapter marked by discrimination and intolerance towards Jewish communities in Europe. As viewers engage with this image today, it prompts us to reflect upon our own society's progress in combating prejudice and fostering inclusivity across all cultures and religions.
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