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The Flight of Bonaparte from Hell-Bay, 7th April 1815 (hand-colored etching and aquatint)

The Flight of Bonaparte from Hell-Bay, 7th April 1815 (hand-colored etching and aquatint)


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The Flight of Bonaparte from Hell-Bay, 7th April 1815 (hand-colored etching and aquatint)

5667142 The Flight of Bonaparte from Hell-Bay, 7th April 1815 (hand-colored etching and aquatint) by Rowlandson, Thomas (1756-1827); 37.1 A-- 26.5 cm; Metropolitan Museum of Art, New York, USA; (add.info.: Napoleon Bonaparte (1769-1821) His exile on Elba (Hell-Bay) off Tuscany in 1814 and escape to Paris the following year prompted fear of his regeneration.
This satire during the 100 days of his freedom is a skit on satans journey out of hell in Miltons Paradise Lost.); English, out of copyright

Media ID 22337088

© Bridgeman Images

Bubble Demonic Devil Dragons Elba Emperor Napoleon First Empire Hell Hellfire Napoleon Bonaparte Napoleon I Napoleonic Napoleonic Wars Satan Serpents Soap


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> Animals > Birds > Owls > Related Images

> Arts > Artists > I > Jean-Baptiste Isabey

> Arts > Artists > R > Thomas Rowlandson

> Arts > Pop art > Satire > Satirical artwork

> Europe > France > Military

> Europe > France > Paris > Related Images

> Europe > Italy > Tuscany > Related Images

> Fine Art Finder > Artists > Jean-Baptiste Isabey

> Fine Art Finder > Artists > Thomas Rowlandson

> North America > United States of America > New York > New York > Sights > Metropolitan Museum of Art


The Flight of Bonaparte from Hell-Bay, 7th April 1815

EDITORS COMMENTS
is a captivating hand-colored etching and aquatint by Thomas Rowlandson. This satirical artwork depicts Napoleon Bonaparte's exile on the island of Elba and his subsequent escape to Paris in 1815, which instilled fear among many who believed he would regain power. Drawing inspiration from John Milton's "Paradise Lost" this print humorously portrays Napoleon as Satan making his journey out of hell. The artist cleverly uses symbolism to convey the political climate of the time, with demons representing various challenges faced by Napoleon during his reign. The image showcases a chaotic scene filled with fire-breathing dragons, demonic creatures, and swirling bubbles that symbolize the fragility of Napoleon's empire. A soap bubble floating above him serves as a metaphor for his fleeting power and uncertain future. Rowlandson's caricature style adds an element of satire to this piece, highlighting both the fearsome reputation and vulnerability of Emperor Napoleon. Through intricate details such as serpents slithering around him and an owl perched on his shoulder - symbols associated with darkness and wisdom - the artist captures the essence of this pivotal moment in history. This intriguing print now resides at the Metropolitan Museum of Art in New York City, where it continues to captivate viewers with its imaginative portrayal of one man's rise and fall from power.

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