Monument to Leon Gambetta, Truth, cour Napoleon, Louvre, 1888 (detail) (marble & stone)

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Monument to Leon Gambetta, Truth, cour Napoleon, Louvre, 1888 (detail) (marble & stone)

XIR346103 Monument to Leon Gambetta, Truth, cour Napoleon, Louvre, 1888 (detail) (marble & stone) (see also 346101, 346102, 346503) (b/w photo) by Aube, Jean Paul (1837-1916); Paris, France; (add.info.: Monument a Gambetta (1838-82); with Louis Charles Boileau (1837-1914) architect; inaugurated 14th July; bronze melted during Vichy Government; removed in 1954; group of Gambetta rebuilt in 1982, Square Edouard Vaillant, 20th arrondissement; allegory of Human Rights; French Republican statesman; Photo Adolphe Giraudon late 19th century; A.G. phot; ); French, out of copyright

Media ID 12862921

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EDITORS COMMENTS
This photograph captures a mesmerizing detail of the Monument to Leon Gambetta, Truth, located in the cour Napoleon of the Louvre in Paris. The sculpture, crafted from marble and stone by Jean Paul Aube in 1888, is a true testament to artistic brilliance. In this particular shot, we see an exquisite female statue seated on a mirror-like surface. She exudes an air of elegance and grace as she sits draped in delicate fabric. The artist's attention to detail is evident in every curve and contour of her form. The monument itself holds great historical significance as it pays homage to Leon Gambetta (1838-82), a prominent French Republican statesman known for his advocacy for human rights. Collaborating with architect Louis Charles Boileau, Aube created this allegorical masterpiece that symbolizes the ideals of truth and freedom. Sadly, during the Vichy Government era, the bronze elements of the monument were melted down. However, it was later rebuilt in 1982 at Square Edouard Vaillant in Paris' 20th arrondissement. This vintage photograph taken by Adolphe Giraudon showcases not only Aube's artistic prowess but also serves as a reminder of France's rich cultural heritage. It invites viewers into a world where art meets history and allows us to appreciate both its beauty and historical significance simultaneously.

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