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The Black Hole, Old Fort William, 18th June, 1756, illustration from
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The Black Hole, Old Fort William, 18th June, 1756, illustration from
STC357954 The Black Hole, Old Fort William, 18th June, 1756, illustration from Hutchinsons History of the Nations, c.1910 (litho) by Wood, Stanley L. (1866-1928); Private Collection; (add.info.: In 1756 Suraju ddaula, the grandson of Alivardi Khaan, Viceroy of Bengal (1740-1756), attacked Calcutta and drove out the English except 146 who were confined to the black hole, a guard-room lock-up, for a whole night; The sepoy guard posted outside the barred window amused themselves by pouring out water and drinking it in front of the sufferers; ); The Stapleton Collection; English, out of copyright
Media ID 23376398
© The Stapleton Collection / Bridgeman Images
Bars Captives Captivity Captured Cramped Dhoti Prison Suffering Taunt
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The Black Hole, Old Fort William, 18th June, 1756
EDITORS COMMENTS
is a powerful illustration that captures a haunting moment in history. In this lithograph from Hutchinsons History of the Nations, created by Stanley L. Wood in c. 1910, we are transported back to the tragic events that unfolded during the attack on Calcutta. Suraju ddaula's assault on the city led to the confinement of 146 English captives within the dreaded black hole - a small guard-room lock-up. As depicted in this print, their suffering was exacerbated by taunting Indian guards who poured out water and drank it right in front of them. The image portrays both physical and emotional torment endured by these prisoners. The cramped space is evident as they huddle together behind bars, clothed in traditional Indian garments such as dhotis and turbans. Their expressions reveal anguish and despair as they endure unimaginable conditions throughout that fateful night. Wood's engraving skillfully conveys the sense of captivity and helplessness experienced by those trapped inside the black hole. It serves as a reminder of humanity's capacity for cruelty but also highlights resilience amidst adversity. This artwork from Bridgeman Images not only provides historical insight into colonial India but also prompts reflection on themes of power dynamics, oppression, and survival against all odds.
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