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Triumphs of the Mother of God or Panos de Oro, c. 1500-02 (tapestry)
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Triumphs of the Mother of God or Panos de Oro, c. 1500-02 (tapestry)
CUL4908540 Triumphs of the Mother of God or Panos de Oro, c.1500-02 (tapestry) by Coecke van Aelst, Pieter (1502-50) (attr. to); 320x372 cm; Monasterio del Escorial, Madrid, Spain; (add.info.: God send the Archangel Gabriel.
First tapestry in the series, model Colin de Cooter(?). Manufacture Pieter van Aelst (or van Edingen), Brussels. Origin Collection of Joana I of Castile. On display Halls of Honour. National Heritage (Patrimonio Nacional) inv 10034476.); Photo © Maeyaert/AIC
Media ID 31721712
© Maeyaert/AIC / Bridgeman Images
Annunciation Appcultura Biblical Figure Broker Calm Calmness Composure Decorative Arts Early Modern Era Embroidery Flemish Flemish Artist Flemish Style Gabriel God Send The Arch Joan The Mad 1479 1555 Madrid Autonomous Community Open Book Piece And Quiet Quiet San Lorenzo De El Escorial Serene Serenity Tapestrey Tapestries To Pray To Read Western Art Biblical Charcter Flemish Art
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EDITORS COMMENTS
This print showcases the "Triumphs of the Mother of God or Panos de Oro" a remarkable tapestry created by Coecke van Aelst in the early 16th century. Measuring an impressive 320x372 cm, this masterpiece is housed in the Monasterio del Escorial in Madrid, Spain. The tapestry depicts a pivotal moment from biblical history: God sending the Archangel Gabriel to deliver an important message. This particular scene is believed to be the first tapestry in a series, with its design attributed to Colin de Cooter and manufactured by Pieter van Aelst in Brussels. Originally part of Joana I of Castile's collection, it now resides within the Halls of Honour as part of Spain's National Heritage. The image beautifully captures elements such as angelic figures, vibrant colors, intricate embroidery, and regal clothing worn by King Philip I and Queen Joan. With its rich symbolism and religious significance, this artwork represents both Flemish artistry and Western Christian culture during the Renaissance era. The open book held by Gabriel signifies divine knowledge while emphasizing prayer and devotion to Virgin Mary. This print offers viewers a glimpse into European history through its meticulous details and exquisite craftsmanship. It serves as a reminder of how art can transcend time, allowing us to appreciate centuries-old works that continue to inspire awe today.
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