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Amore letheo (Naked women bathing) (Painting, 1585-1589)
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Amore letheo (Naked women bathing) (Painting, 1585-1589)
LRI4599504 Amore letheo (Naked women bathing) (Painting, 1585-1589) by Fiammingo, Paolo (Franck, Pauwels) (1540-96); Kunsthistorisches Museum, Vienna, Austria; (add.info.: Amore letheo (Naked women bathing) Painting by Franck Pauwels dit Paolo Fiammingo (1540-1596) 1585-1589 Dim 160x260 cm Vienna Kunsthistorisches Museum); Luisa Ricciarini; Flemish, out of copyright
Media ID 23334408
© Luisa Ricciarini / Bridgeman Images
Back Cupid Eros Flemish Style Late Naked Woman Natural Elements 4 Toilet Tree Trunk
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EDITORS COMMENTS
This print captures the essence of Paolo Fiammingo's masterpiece, "Amore letheo (Naked women bathing)" painted between 1585 and 1589. The painting, housed in the Kunsthistorisches Museum in Vienna, Austria, showcases Fiammingo's incredible talent for depicting natural elements and human beauty. In this scene, a group of naked women can be seen indulging in a serene moment of bathing by a river. The artist skillfully portrays their graceful forms against the backdrop of a lush tree trunk. Each woman's body is delicately rendered with meticulous attention to detail, highlighting their sensuality and vulnerability. The presence of Cupid Eros adds an element of love and desire to the composition. His mischievous gaze suggests that he may have played a role in bringing these women together for this intimate ritual. It is as if time has stood still as they immerse themselves in the tranquil waters. Fiammingo's Flemish style shines through his use of color and light, creating a harmonious atmosphere that invites viewers to appreciate both the physical beauty on display and the deeper emotions evoked by this enchanting scene. Luisa Ricciarini expertly captures every nuance of Fiammingo's work through her lens, allowing us to admire this timeless artwork from afar. Her photograph preserves not only the visual splendor but also conveys the profound connection between art and humanity that transcends time itself.
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