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L Assiette au Beurre, number 64, Satirique en couleurs, 1902_6_28: England Great Britain, Fashion - Chamberlain Joe Joseph (1836-1914) (lithograph)

L Assiette au Beurre, number 64, Satirique en couleurs, 1902_6_28: England Great Britain, Fashion - Chamberlain Joe Joseph (1836-1914) (lithograph)


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L Assiette au Beurre, number 64, Satirique en couleurs, 1902_6_28: England Great Britain, Fashion - Chamberlain Joe Joseph (1836-1914) (lithograph)

ICA4878004 L Assiette au Beurre, number 64, Satirique en couleurs, 1902_6_28: England Great Britain, Fashion - Chamberlain Joe Joseph (1836-1914) (lithograph) by Camara, Leal de (1877-1948); (add.info.: L Plate au beurre, number 64, Satirique en couleurs, 1902_6_28: England Great Britain, Fashion - Chamberlain Joe Joseph (1836-1914) - Illustration by Leal de Camara (1877-1948)); Photo © Caricadoc

Media ID 25148708

© Caricadoc / Bridgeman Images

Cigarette Monocle Smoker Caricadoc Years 1900


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> Europe > United Kingdom > England > Politics

> Fine Art Finder > Artists > Johann Lukas von Hildebrandt

> Fine Art Finder > Artists > Leal de Camara

> Popular Themes > Politics


EDITORS COMMENTS
This lithograph from 1902, titled "L'Assiette au Beurre, number 64, Satirique en couleurs" offers a satirical glimpse into the world of fashion in England. The artwork showcases Joe Joseph Chamberlain (1836-1914), an influential statesman and political figure of his time. Created by Leal de Camara (1877-1948), this illustration captures the essence of Chamberlain's persona with remarkable precision. In this portrait, Chamberlain is depicted wearing a monocle, which adds an air of sophistication to his character. The artist skillfully highlights the politician's distinctive features through clever caricature techniques. A cigarette delicately held between his fingers suggests both elegance and indulgence. The composition exudes a sense of intrigue as Chamberlain gazes directly at the viewer with a hint of amusement in his eyes. This portrayal not only reflects the artist's talent but also serves as a commentary on British society during that era. The print itself is beautifully preserved and provides us with valuable insight into the artistic style prevalent in early 20th-century France. Its inclusion in L'Assiette au Beurre, a renowned French satirical magazine known for its sharp social commentary, further emphasizes its significance. As we delve into this fascinating piece, we are transported back to an era where politics intertwined with fashion and satire played a crucial role in shaping public opinion. Through this lithograph, we gain glimpses into both historical events and cultural

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