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Sour cherry, tart cherry or dwarf cherry, Prunus cerasus. 1776 (engraving)
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Sour cherry, tart cherry or dwarf cherry, Prunus cerasus. 1776 (engraving)
7234065 Sour cherry, tart cherry or dwarf cherry, Prunus cerasus. 1776 (engraving) by Muller, Johann Sebastien (1715-c.1785); Private Collection; (add.info.: Sour cherry, tart cherry or dwarf cherry, Prunus cerasus. Wild Black Cherry Tree. Copperplate engraving drawn and engraved by John Miller (Johann Sebastian Muller) from John Evelyns Sylva, or A Discourse of Forest Trees and the Propagation of Timer, J. Dodsley, London, 1776.); © Florilegius
Media ID 25142178
© Florilegius / Bridgeman Images
Botanical Plate C European Economic Community C European Union Natural Sciences
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This 18th-century engraving, titled "Sour cherry, tart cherry or dwarf cherry, Prunus cerasus" takes us back in time to explore the beauty and intricacy of nature. Created by Johann Sebastien Muller (1715-c. 1785), this botanical plate showcases a Wild Black Cherry Tree with utmost precision. Originally featured in John Evelyn's renowned work "Sylva, or A Discourse of Forest Trees and the Propagation of Timer" published in London in 1776, this copperplate engraving is a testament to both scientific curiosity and artistic mastery. Muller's attention to detail allows us to appreciate every aspect of the tree - from its delicate leaves to its sturdy trunk. The monochromatic black-and-white palette adds an air of elegance and timelessness to the print. It transports us back to an era when scientific exploration was intertwined with artistry, showcasing how these disciplines can harmoniously coexist. As we gaze upon this enchanting image, we are reminded of the importance of preserving our natural world and understanding its intricate wonders. This piece serves as a reminder that even centuries ago, humans sought knowledge about their environment through observation and documentation. With each glance at this remarkable print, we are transported into a realm where science meets artistry – where trees become subjects for study but also objects of admiration.
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