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The Vegetable Lamb of Tartary. 1776 (engraving)
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The Vegetable Lamb of Tartary. 1776 (engraving)
7234076 The Vegetable Lamb of Tartary. 1776 (engraving) by Halfpenny, Joseph (1748-1811); Private Collection; (add.info.: The Vegetable Lamb of Tartary, Agnus scythicus or Planta Tartarica Barometz, legendary zoophyte. The Tartarian Lamb. Copperplate engraving drawn and engraved by Joseph Halfpenny from John Evelyns Sylva, or A Discourse of Forest Trees and the Propagation of Timer, J. Dodsley, London, 1776.); © Florilegius
Media ID 25191998
© Florilegius / Bridgeman Images
Central Asia Lamb Meat Zoological Zoologist C European Economic Community C European Union Natural Sciences
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EDITORS COMMENTS
This engraving, titled "The Vegetable Lamb of Tartary" takes us back to the year 1776. Created by Joseph Halfpenny and featured in John Evelyn's Sylva, or A Discourse of Forest Trees and the Propagation of Timer, this artwork showcases a legendary zoophyte known as Agnus scythicus or Planta Tartarica Barometz. Intriguingly, the image depicts a peculiar creature that appears to be half plant and half lamb. This mythical being was believed to have originated in Central Asia, specifically Tartary (present-day Mongolia). The concept behind this fascinating legend is that the lamb grew from a plant-like stem attached to the ground. As we delve into this piece further, we are reminded of its historical context. Set against a black-and-white backdrop typical of 18th-century engravings, it reflects both scientific curiosity and artistic craftsmanship. The detailed rendering allows us to appreciate not only the intricate features of the creature but also its surroundings. "The Vegetable Lamb of Tartary" serves as an emblematic representation of early natural history studies during this period. It symbolizes mankind's relentless pursuit for knowledge about our world's flora and fauna through scientific methods. This print transports us back in time while simultaneously sparking our imagination with its blend of reality and myth. As we gaze upon it today, we are reminded once again that art has always been intertwined with science – capturing not only what is visible but also what lies beyond our understanding.
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