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Meg goes to vanity fair (colour litho)

Meg goes to vanity fair (colour litho)


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Meg goes to vanity fair (colour litho)

973805 Meg goes to vanity fair (colour litho) by Copping, Harold (1863-1932); Private Collection; (add.info.: Meg goes to vanity fair. Illustration for Little Woman by Louisa M Alcott (Religious Tract Society, c 1910).); © Look and Learn

Media ID 22242504

© Look and Learn / Bridgeman Images

7 Deadly Sins Fair Little Women Louisa M Alcott Pretension Pride Proud Proudness Seven Deadly Sins Vanity Emotions Feeling


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EDITORS COMMENTS
The captivating print "Meg goes to vanity fair (colour litho)" transports us into the enchanting world of Louisa M Alcott's beloved novel, Little Women. Illustrated by Harold Copping, this vibrant artwork captures a pivotal moment in Meg's journey as she succumbs to the allure of Vanity Fair. Set against a backdrop of opulence and extravagance, Meg finds herself immersed in an American fair filled with indulgence and temptation. The artist skillfully portrays the clash between Meg's humble upbringing and her desire for worldly pleasures. Through vivid colors and intricate details, Copping brings to life the conflicting emotions that swirl within Meg - pride, pretension, and a hint of guilt. As we gaze upon this print, we are reminded not only of Meg's personal struggle but also of the universal theme it represents - the battle against one's own flaws and desires. It serves as a poignant reminder that even the most virtuous among us can be swayed by our human weaknesses. This piece is more than just a visual representation; it encapsulates an entire era in American literature where young girls like Meg navigated their way through societal expectations while grappling with their own sense of self-worth. It invites us to reflect on our own journeys towards self-discovery and reminds us that beneath every facade lies complex emotions waiting to be explored. In collaboration with Bridgeman Images' Fine Art Finder collection, this remarkable print allows us to delve deeper into Alcott's timeless narrative while appreciating C

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