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Interior of the Church of St. Denis, illustration from Versailles
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Interior of the Church of St. Denis, illustration from Versailles
3250841 Interior of the Church of St. Denis, illustration from Versailles, Paris and Saint Denis, pub. 1805 (aquatint) by Nattes, John Claude (c.1765-1822) (after); Private Collection; (add.info.: Interieur de l Eglise de St. Denis; Marchand de vin a l interieir de la basilique Saint-Denis; Merchant selling wine inside the basilica of Saint-Denis; disregard for religion during the French Revolution; ); The Stapleton Collection; English, out of copyright
Media ID 22528882
© The Stapleton Collection / Bridgeman Images
Arches Barrels Basilica Casks Tapping Vaulted Vintner Wine Merchant
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EDITORS COMMENTS
This print captures the intricate beauty of the interior of the Church of St. Denis, as illustrated in Versailles. The image, created by John Claude Nattes and published in 1805, showcases the grandeur and architectural mastery of this historic Parisian church. Intriguingly, amidst the awe-inspiring vaulted arches and Gothic details, a scene unfolds that speaks to a tumultuous period in French history. A wine merchant can be seen within the sacred walls of Saint-Denis Basilica, tapping into barrels and selling his wares. This depiction alludes to the disregard for religion during the French Revolution when churches were often repurposed or desecrated. The juxtaposition between religious solemnity and profane commerce is striking. It serves as a reminder of how societal upheaval can disrupt even the most hallowed spaces. The presence of casks and barrels further emphasizes this contrast between spirituality and earthly pleasures. Through this image, we are transported back to an era where social and religious history intertwine with architectural marvels. It invites contemplation on themes such as faith, tradition, rebellion, and transformation. As part of The Stapleton Collection held privately but made accessible through Fine Art Finder's vast archives, this print offers us a glimpse into both artistic excellence and historical significance. It allows us to appreciate not only Nattes' skillful aquatint technique but also provides valuable insight into an important chapter in France's past - one where religion clashed with
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