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Cottage in a wheat field. Painting by John Constable (1776-1837), 1817. Oil on canvas

Cottage in a wheat field. Painting by John Constable (1776-1837), 1817. Oil on canvas


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Cottage in a wheat field. Painting by John Constable (1776-1837), 1817. Oil on canvas

JLJ4610546 Cottage in a wheat field. Painting by John Constable (1776-1837), 1817. Oil on canvas. Sun: 0.31 X 0.26m Cardiff, National Museum by Constable, John (1776-1837); National Museum and Gallery, Cardiff, UK; (add.info.: Cottage in a wheat field. Painting by John Constable (1776-1837), 1817. Oil on canvas. Sun: 0.31 X 0.26m Cardiff, National Museum); Photo ePhoto Josse; English, out of copyright

Media ID 23321930

© Josse / Bridgeman Images

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EDITORS COMMENTS
This print showcases John Constable's masterpiece, "Cottage in a wheat field" painted in 1817. The oil on canvas painting depicts a charming cottage nestled amidst a golden wheat field, capturing the essence of rural England during the early 19th century. With meticulous brushstrokes and vibrant colors, Constable brings to life the idyllic countryside scene. The cottage stands as a humble abode against the backdrop of rolling hills and endless fields of wheat. Its thatched roof adds character to this picturesque setting, while sunlight gently illuminates every detail. The artist's attention to light and shadow creates an atmosphere of tranquility and warmth. Displayed at Cardiff's National Museum, this artwork invites viewers to immerse themselves in its beauty and contemplate the simplicity of country life. It serves as a testament to Constable's mastery in capturing nature's essence on canvas. Through this print by Photo Josse, we are transported into Constable's world—a world where time seems suspended amidst vast landscapes and rustic charm. This image evokes feelings of nostalgia for simpler times when farming was central to people's lives. Whether you appreciate art or have an affinity for English countryside scenes, this print is sure to captivate your imagination with its timeless beauty.

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