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Mr Owens Institution, New Lanark (Quadrille Dancing), engraved by George Hunt, pub

Mr Owens Institution, New Lanark (Quadrille Dancing), engraved by George Hunt, pub


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Mr Owens Institution, New Lanark (Quadrille Dancing), engraved by George Hunt, pub

STC75993 Mr Owens Institution, New Lanark (Quadrille Dancing), engraved by George Hunt, pub. 1825 by English School, (19th century); Private Collection; The Stapleton Collection; English, out of copyright

Media ID 23373060

© The Stapleton Collection / Bridgeman Images

Audience Class Hall Jeremy Bentham Screen Socialism Co Operative Owenite Parents Robert Owen Teaching


FEATURES IN THESE COLLECTIONS

> Arts > Artists > C > John Constable

> Arts > Artists > John Constable

> Arts > Dance

> Arts > Fine Art

> Europe > United Kingdom > Heritage Sites > New Lanark

> Europe > United Kingdom > Scotland > Strathclyde > Lanark

> Fine Art Finder > Artists > English School

> Fine Art Finder > Artists > John Constable

> Fine Art Finder > Schools, Colleges & Education

> Popular Themes > Dance


EDITORS COMMENTS
This print showcases the grandeur of Mr Owens Institution in New Lanark during a lively quadrille dancing session. Engraved by the talented George Hunt and published in 1825, this image is a testament to the English School's artistic prowess. The institution itself was more than just a school; it embodied an entire model community based on cooperative principles and socialism. Founded by Robert Owen, inspired by Jeremy Bentham's philosophy, this progressive education center aimed to provide children with a non-sectarian and inclusive learning environment. In this particular scene, we see young girls elegantly moving across the hall as they are taught the art of dance. The audience watches attentively from behind a screen, their faces filled with admiration for these students' skills. This painting captures both the educational aspect of Mr Owens Institution and its commitment to nurturing well-rounded individuals. The significance of this image lies not only in its aesthetic appeal but also in its historical context. It offers us a glimpse into an era when communal living and innovative teaching methods were at the forefront of social reform movements. Through Bridgeman Images' collection, we have access to these visual records that allow us to appreciate how far our society has come while acknowledging those who paved the way for progress.

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