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The Church Oratory of the Calendaries, formerly on the site of All Saints [an imaginary depiction], c. 1800 (pencil & w / c on paper)
![The Church Oratory of the Calendaries, formerly on the site of All Saints [an imaginary depiction], c. 1800 (pencil & w / c on paper)](/p/690/church-oratory-calendaries-site-all-saints-an-25057226.jpg.webp "The Church Oratory of the Calendaries, formerly on the site of All Saints [an imaginary depiction], c. 1800 (pencil & w / c on paper)")
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The Church Oratory of the Calendaries, formerly on the site of All Saints [an imaginary depiction], c. 1800 (pencil & w / c on paper)
2832617 The Church Oratory of the Calendaries, formerly on the site of All Saints [an imaginary depiction], c.1800 (pencil & w/c on paper) by British School, (19th century); Bristol Museum and Art Gallery, UK; © Bristol Museums, Galleries & Archives; Bequest of William Jerdone Braikenridge, 1908
Media ID 25057226
© Bristol Museums, Galleries & Archives Bequest of William Jerdone Braikenridge, 1908 / Bridgeman Images
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This print showcases an imaginary depiction of "The Church Oratory of the Calendaries, formerly on the site of All Saints" dating back to around 1800. Created by the British School in the 19th century, this pencil and watercolor artwork is now housed at the Bristol Museum and Art Gallery in the UK. The image transports us to a bygone era, capturing the exterior of this magnificent church oratory with remarkable detail. The artist's skilled hand brings life to every stroke, highlighting the intricate architectural elements that define this sacred space. From its towering spires to its ornate windows and grand entrance, each feature exudes a sense of timeless beauty. While it may be an imaginary representation, this artwork evokes a sense of nostalgia for a place that once stood proudly on the grounds where All Saints now resides. It invites us to imagine what it would have been like to witness such splendor firsthand. Preserved through time, this painting serves as both a historical record and a testament to human creativity. Its inclusion in Bristol Museums' collection is thanks to William Jerdone Braikenridge's generous bequest in 1908. As we gaze upon this mesmerizing piece from Bridgeman Images' Fine Art Finder collection, we are reminded of our rich cultural heritage and how art can transport us across centuries into worlds long past.
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