Fraud Blocker Skip to main content

Home > Fine Art Finder > Artists > John Everett Millais

John Everett Millais Collection (page 9)

1,274 items

Background imageJohn Everett Millais Collection: Oh! that Dream so Sweet, so Long Enjoy d, should be so Sadly, Cruelly Destroyed

Oh! that Dream so Sweet, so Long Enjoy d, should be so Sadly, Cruelly Destroyed
7085128 Oh! that Dream so Sweet, so Long Enjoy d, should be so Sadly, Cruelly Destroyed, 1872 (oil on canvas) by Millais, John Everett (1829-96); 127x83.9 cm; Private Collection; (add.info)

Background imageJohn Everett Millais Collection: Flower Still Life

Flower Still Life
CH11415 Flower Still Life by Ruysch, Rachel (1664-1750); Private Collection; Photo eChristies Images; Dutch, out of copyright

Background imageJohn Everett Millais Collection: Dropped from the Nest (oil on canvas)

Dropped from the Nest (oil on canvas)
CH11408 Dropped from the Nest (oil on canvas) by Millais, John Everett (1829-96); Private Collection; Photo eChristies Images; English, out of copyright

Background imageJohn Everett Millais Collection: An incident in the grounds of Ranelagh

An incident in the grounds of Ranelagh
CH11378 An incident in the grounds of Ranelagh by Devis, Arthur (1712-87); Private Collection; Photo eChristies Images; English, out of copyright

Background imageJohn Everett Millais Collection: Cinderella, 1881 (oil on canvas)

Cinderella, 1881 (oil on canvas)
CH11366 Cinderella, 1881 (oil on canvas) by Millais, John Everett (1829-96); 125.7x88.9 cm; Private Collection; Photo eChristies Images; English, out of copyright

Background imageJohn Everett Millais Collection: The Wharfe Valley, with Barden Tower Beyond, 1870s (oil on paper)

The Wharfe Valley, with Barden Tower Beyond, 1870s (oil on paper)
1199603 The Wharfe Valley, with Barden Tower Beyond, 1870s (oil on paper) by Grimshaw, John Atkinson (1836-93); 38x50.7 cm; Private Collection; Photo eChristies Images; English, out of copyright

Background imageJohn Everett Millais Collection: Miss Gertrude Vanderbilt, 1888 (oil on canvas)

Miss Gertrude Vanderbilt, 1888 (oil on canvas)
1199601 Miss Gertrude Vanderbilt, 1888 (oil on canvas) by Millais, John Everett (1829-96); 240x157.5 cm; Private Collection; Photo eChristies Images; English, out of copyright

Background imageJohn Everett Millais Collection: The Doncaster Gold Cup of 1835

The Doncaster Gold Cup of 1835
CH36676 The Doncaster Gold Cup of 1835 by Herring Snr, John Frederick (1795-1865); Private Collection; Photo eChristies Images; English, out of copyright

Background imageJohn Everett Millais Collection: The Proscribed Royalist, 1651, 1852-53 (oil on canvas)

The Proscribed Royalist, 1651, 1852-53 (oil on canvas)
CH36673 The Proscribed Royalist, 1651, 1852-53 (oil on canvas) by Millais, John Everett (1829-96); 102.8x73.6 cm; Private Collection; Photo eChristies Images; English, out of copyright

Background imageJohn Everett Millais Collection: Smolensko, 1826 (oil on panel)

Smolensko, 1826 (oil on panel)
CH377730 Smolensko, 1826 (oil on panel) by Ward, James (1769-1859); Private Collection; Photo eChristies Images; English, out of copyright

Background imageJohn Everett Millais Collection: Youth (oil on panel)

Youth (oil on panel)
CH377721 Youth (oil on panel) by Millais, John Everett (1829-96); 12.8x21.8 cm; Private Collection; (add.info.: replica of lunette, 1847, commissioned for the house of John Atkinson, at Woodhouse)

Background imageJohn Everett Millais Collection: Pomona, 1882 (oil on canvas)

Pomona, 1882 (oil on canvas)
CH377717 Pomona, 1882 (oil on canvas) by Millais, John Everett (1829-96); 103.4x74.4 cm; Private Collection; Photo eChristies Images; English, out of copyright

Background imageJohn Everett Millais Collection: Charlie is My Darling (oil on panel)

Charlie is My Darling (oil on panel)
CH377715 Charlie is My Darling (oil on panel) by Millais, John Everett (1829-96); 42x22 cm; Private Collection; (add.info.: wife of Major Sir William Palliser; ); Photo eChristies Images; English

Background imageJohn Everett Millais Collection: Portrait of a young woman, possibly Hannah, the artists maid

Portrait of a young woman, possibly Hannah, the artists maid
CH371485 Portrait of a young woman, possibly Hannah, the artists maid, holding a tea tray (oil on canvas) by Mercier, Philippe (1689-1760)

Background imageJohn Everett Millais Collection: Portrait of Mrs. William Evamy, c. 1843 (oil on canvas)

Portrait of Mrs. William Evamy, c. 1843 (oil on canvas)
CH332997 Portrait of Mrs. William Evamy, c.1843 (oil on canvas) by Millais, John Everett (1829-96); 61x50.8 cm; Private Collection; (add.info)

Background imageJohn Everett Millais Collection: The Change, 1823 (oil on canvas)

The Change, 1823 (oil on canvas)
3431772 The Change, 1823 (oil on canvas) by Landseer, Edwin (1802-73); Private Collection; Photo eChristies Images; English, out of copyright

Background imageJohn Everett Millais Collection: The Huguenot, 1852 (oil on canvas)

The Huguenot, 1852 (oil on canvas)
3431771 The Huguenot, 1852 (oil on canvas) by Millais, John Everett (1829-96); Private Collection; Photo eChristies Images; English, out of copyright

Background imageJohn Everett Millais Collection: A View of Venice looking toward the Santa Maria Della Salute, (oil on canvas)

A View of Venice looking toward the Santa Maria Della Salute, (oil on canvas)
658966 A View of Venice looking toward the Santa Maria Della Salute, (oil on canvas) by Rico y Ortega, Martin (1833-1908); 45.4x75.5 cm; Private Collection; (add.info)

Background imageJohn Everett Millais Collection: Portrait of Mrs. Joseph Chamberlain, seated three-quarter length at a tea-table

Portrait of Mrs. Joseph Chamberlain, seated three-quarter length at a tea-table
658952 Portrait of Mrs. Joseph Chamberlain, seated three-quarter length at a tea-table, wearing a grey and white dress, 1891 (oil on canvas) by Millais

Background imageJohn Everett Millais Collection: The Vikings find America, from My Magazine, pub. 1922 (litho)

The Vikings find America, from My Magazine, pub. 1922 (litho)
3708991 The Vikings find America, from My Magazine, pub.1922 (litho) by Forestier, Amedee (1854-1930); Private Collection; (add.info.: A Forestier (1854-1930) My Magazine, pub.1922); English

Background imageJohn Everett Millais Collection: The Yeoman of the Guard, from My Magazine, pub. 1922 (colour litho)

The Yeoman of the Guard, from My Magazine, pub. 1922 (colour litho)
3708987 The Yeoman of the Guard, from My Magazine, pub.1922 (colour litho) by Millais, John Everett (1829-96); Private Collection; (add.info.: Sir John Millais (1829-1896) My Magazine

Background imageJohn Everett Millais Collection: Canal Scene, 19th century (w / c)

Canal Scene, 19th century (w / c)
6198953 Canal Scene, 19th century (w/c) by Murray, David (1849-1933); 26x38.7 cm; The McManus, Dundee, UK; (add.info.: Orchar Collection); Dundee Art Galleries and Museums; Scottish, out of copyright

Background imageJohn Everett Millais Collection: The Toilet, 19th century (w / c)

The Toilet, 19th century (w / c)
6198951 The Toilet, 19th century (w/c) by Millais, John Everett (1829-96); 10.5x12.1 cm; The McManus, Dundee, UK; (add.info.: Orchar Collection); Dundee Art Galleries and Museums; English

Background imageJohn Everett Millais Collection: Kirkwall Cathedral, Orkney, 19th century (w / c)

Kirkwall Cathedral, Orkney, 19th century (w / c)
6198927 Kirkwall Cathedral, Orkney, 19th century (w/c) by Melville, Arthur (1855-1904); 57.1x79.3 cm; The McManus, Dundee, UK; Dundee Art Galleries and Museums; Scottish, out of copyright

Background imageJohn Everett Millais Collection: Staffordshire Group, 1921 (oil on canvas)

Staffordshire Group, 1921 (oil on canvas)
1217814 Staffordshire Group, 1921 (oil on canvas) by Gertler, Mark (1891-1939); 56.2x43.6 cm; Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; English, out of copyright

Background imageJohn Everett Millais Collection: Study for The Black Brunswicker, 1859 (black and grey watercolour over graphite

Study for The Black Brunswicker, 1859 (black and grey watercolour over graphite
1217805 Study for The Black Brunswicker, 1859 (black and grey watercolour over graphite on pale cream paper) by Millais, John Everett (1829-96); 33.7x22 cm; Ashmolean Museum, University of Oxford

Background imageJohn Everett Millais Collection: Kennack Sands, Cornwall, at Low Tide, 1877 (oil on board, mounted as a drawing)

Kennack Sands, Cornwall, at Low Tide, 1877 (oil on board, mounted as a drawing)
1217803 Kennack Sands, Cornwall, at Low Tide, 1877 (oil on board, mounted as a drawing) by Brett, John (1848-1900); 17.9x35.4 cm; Ashmolean Museum, University of Oxford

Background imageJohn Everett Millais Collection: Preliminary Sketch for the Portrait of John Ruskin (graphite on blue paper)

Preliminary Sketch for the Portrait of John Ruskin (graphite on blue paper)
1217800 Preliminary Sketch for the Portrait of John Ruskin (graphite on blue paper) by Millais, John Everett (1829-96); 19.7x12.6 cm; Ashmolean Museum, University of Oxford

Background imageJohn Everett Millais Collection: Head of a bearded Man (pen and brown ink with brown wash over black chalk on white paper)

Head of a bearded Man (pen and brown ink with brown wash over black chalk on white paper)
1217753 Head of a bearded Man (pen and brown ink with brown wash over black chalk on white paper) by Tiepolo, Giovanni Battista (Giambattista) (1696-1770); 24.3x19.5 cm; Ashmolean Museum

Background imageJohn Everett Millais Collection: The Lord of Burleigh (pen and black ink)

The Lord of Burleigh (pen and black ink)
1217749 The Lord of Burleigh (pen and black ink) by Millais, John Everett (1829-96); 8.3x9.6 cm; Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; English, out of copyright

Background imageJohn Everett Millais Collection: Queen Marie de Medicis, c. 1600 (bronze)

Queen Marie de Medicis, c. 1600 (bronze)
1217907 Queen Marie de Medicis, c.1600 (bronze) by Prieur, Barthelemy (1540-1611); Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; French, out of copyright

Background imageJohn Everett Millais Collection: Lunette for Music (pen and black ink with blue gouache)

Lunette for Music (pen and black ink with blue gouache)
1217906 Lunette for Music (pen and black ink with blue gouache) by Millais, John Everett (1829-96); 15.4x27.2 cm; Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; English

Background imageJohn Everett Millais Collection: And this to make you laugh (pencil & coloured chalk on paper)

And this to make you laugh (pencil & coloured chalk on paper)
PNH356943 And this to make you laugh (pencil & coloured chalk on paper) by Burne-Jones, Edward Coley (1833-98); Private Collection; (add.info)

Background imageJohn Everett Millais Collection: Portrait of Louise Jopling, 1879 (oil on canvas)

Portrait of Louise Jopling, 1879 (oil on canvas)
PNH356906 Portrait of Louise Jopling, 1879 (oil on canvas) by Millais, John Everett (1829-96); 125x76 cm; Private Collection; (add.info)

Background imageJohn Everett Millais Collection: The reception of an Ambassador by the Grand Vizier at Topkapi Palace, Constantinople

The reception of an Ambassador by the Grand Vizier at Topkapi Palace, Constantinople
AGN356197 The reception of an Ambassador by the Grand Vizier at Topkapi Palace, Constantinople, 1790 (w/c & bodycolour with chalk, pen and ink on paper) by Lespinasse

Background imageJohn Everett Millais Collection: Alice Gray, 1859 (oil)

Alice Gray, 1859 (oil)
AGN356194 Alice Gray, 1859 (oil) by Millais, John Everett (1829-96); 24.1x19.1 cm; Private Collection; (add.info.: the artists sister-in-law; sister of his wife Effie; ); Photo eAgnew s

Background imageJohn Everett Millais Collection: The Bed in the Attic (oil on board)

The Bed in the Attic (oil on board)
Ma283783 The Bed in the Attic (oil on board) by Linnell, John (1792-1882); 28.6x38.7 cm; Private Collection; Photo eThe Ms Gallery, London; English, out of copyright

Background imageJohn Everett Millais Collection: Sketch for the Millais coat of arms, 1862 (pencil with pen & ink on paper)

Sketch for the Millais coat of arms, 1862 (pencil with pen & ink on paper)
Ma283710 Sketch for the Millais coat of arms, 1862 (pencil with pen & ink on paper) by Millais, John Everett (1829-96); 13.3x10.8 cm; Private Collection; (add.info)

Background imageJohn Everett Millais Collection: General John J. Pershing (1860-1948) (oil on canvas)

General John J. Pershing (1860-1948) (oil on canvas)
GG253540 General John J. Pershing (1860-1948) (oil on canvas) by Chelminski, Jan van (1851-1925); 66x53.3 cm; Private Collection; (add.info)

Background imageJohn Everett Millais Collection: The Dying Man, c. 1853 (pen and brush & brown ink on paper)

The Dying Man, c. 1853 (pen and brush & brown ink on paper)
XYC253487 The Dying Man, c.1853 (pen and brush & brown ink on paper) by Millais, John Everett (1829-96); 19.7x24.4 cm; Yale Center for British Art, Paul Mellon Collection

Background imageJohn Everett Millais Collection: Her Most High, Noble and Puissant Grace, 1865 (oil on canvas)

Her Most High, Noble and Puissant Grace, 1865 (oil on canvas)
LMG112921 Her Most High, Noble and Puissant Grace, 1865 (oil on canvas) by Calderon, Philip Hermogenes (1833-98); 119.4x213.4 cm; Leeds Museums and Galleries (Leeds Art Gallery)

Background imageJohn Everett Millais Collection: Infancy, lunette from a series of six, c. 1847 (oil on canvas)

Infancy, lunette from a series of six, c. 1847 (oil on canvas)
LMG112908 Infancy, lunette from a series of six, c.1847 (oil on canvas) by Millais, John Everett (1829-96); 38.6x129.5 cm; Leeds Museums and Galleries (Leeds Art Gallery)

Background imageJohn Everett Millais Collection: The Trial of Queen Catherine of Aragon, 1848 (oil on canvas)

The Trial of Queen Catherine of Aragon, 1848 (oil on canvas)
BIR108326 The Trial of Queen Catherine of Aragon, 1848 (oil on canvas) by O Neil, Henry Nelson (1817-80); 42.5x64.8 cm; Birmingham Museums and Art Gallery; (add.info)

Background imageJohn Everett Millais Collection: Study for Romeo and Juliet, The Last Scene, 1848 (pencil on paper)

Study for Romeo and Juliet, The Last Scene, 1848 (pencil on paper)
BIR108319 Study for Romeo and Juliet, The Last Scene, 1848 (pencil on paper) by Millais, John Everett (1829-96); Birmingham Museums and Art Gallery; eBirmingham Museums Trust; English

Background imageJohn Everett Millais Collection: The Virgin and Child with SS. Jerome, Bernardino of Siena

The Virgin and Child with SS. Jerome, Bernardino of Siena
AMO99108 The Virgin and Child with SS. Jerome, Bernardino of Siena, Catherine of Alexandria and Francis, 15th century (oil on panel) by Orioli

Background imageJohn Everett Millais Collection: Portrait of Thomas Combe, 1850 (oil on panel)

Portrait of Thomas Combe, 1850 (oil on panel)
AMO99100 Portrait of Thomas Combe, 1850 (oil on panel) by Millais, John Everett (1829-96); 33x27 cm; Ashmolean Museum, University of Oxford, UK; (add.info.: Thomas Combe (1797-1872)

Background imageJohn Everett Millais Collection: Bald Cypress Tree (coloured engraving)

Bald Cypress Tree (coloured engraving)
CHT202236 Bald Cypress Tree (coloured engraving) by French School, (19th century); Bibliotheque des Arts Decoratifs, Paris, France; eArchives Charmet; French, out of copyright

Background imageJohn Everett Millais Collection: Guilty, proof of an illustration to Vol. II of Orley Farm

Guilty, proof of an illustration to Vol. II of Orley Farm
BBC199378 Guilty, proof of an illustration to Vol. II of Orley Farm by Anthony Trollope (1815-82) 1862 (engraving) by Millais



All Professionally Made to Order for Quick Shipping



-

Why Choose Us?

We are a leading provider of Art Prints and Photo Gifts since 2003, working in partnership with a range of Sporting Clubs, Charities, Museums and Picture Libraries. A large share of profits from any of their images will go directly towards supporting that charity or club. Our archive of images is carefully curated to bring you a wide range of subjects, including landscapes, wildlife, architecture, and more. We ship from our partner labs in the UK, USA, EU (Netherlands) and Australia.
+

How do I place an order?

Ordering is quick & easy - Just follow 5 Simple Steps:
  1. Find your image: Use our search box or browse our online photo Collections to find the image you want.

  2. Choose your print format: Select your desired product and add it to your cart.

  3. Enter your details: If you're a returning customer, simply enter your email address and password, and we'll fill in your billing and shipping address details. All personal details are held securely and are fully GDPR compliant. As standard, we remove all Personally Identifiable Information after 12 months.

  4. Pay for your purchase: We use state-of-the-art security for online shopping and do not have access to your card details.

  5. Sit back and relax: We'll email you confirmation of your order and when it's dispatched. Registered customers can also track orders in the 'My Account' area.

+

How do I pay for an order?

You can pay for your order with most of the major credit and debit cards, or PayPal. For added security, major financial institutions process payment details separately and securely on our behalf. We do not have access to your online payment card details. Online payments are preferred however we do take phone orders. For UK customers only we accept cheques issued against a UK bank.
+

Is my data safe?

We take data security very seriously. We do not have access to your full card details and all payments are requested over a fully secure connection. Additionally, we fully comply with current European and GDPR legislation, and automatically remove all personal data after at most 12 months (unless you have an account with us and have signed in recently). We also have a strict opt-in policy and would never sell your personal details. Your data is only used to fulfill your order promptly and efficiently.
+

Is wall art ready to hang?

For quick and easy installation all wall art, including framed prints, canvas prints and metal prints are supplied with a ready to hang solution on the back. Generally, saw tooth hangers are applied as they allow wall art to hang flush against the wall. The serrated edge of the hanger prevents the frame from shifting or tilting when hung.
+

Are the photo prints fade resistant?

Yes, we use archival quality photo paper photographic paper for vivid reproduction Prints are an accurate representations of the original artwork, which is preserved for artistic character and authenticity. We guarantee they match previews shown on our web site