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Stableyard with Horse (b / c & w / c on paper)

Stableyard with Horse (b  /  c & w  /  c on paper)


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Stableyard with Horse (b / c & w / c on paper)

473994 Stableyard with Horse (b/c & w/c on paper)
by Richardson, John Isaac (1836-1913); 55.8x39.0 cm; Laing Art Gallery, Newcastle-upon-Tyne, UK; (add.info.: This unfinished painting demonstrates John Isaac Richardsons working methods. The background of the scene, showing the stableyard and woodland, is complete and very detailed. The image of the saddled horse is almost finished, except for its hooves and the saddle stirrups. The reins attached to its bridle end in mid-air quite abruptly, and it is possible the artist intended to include a figure holding them. To the right of the painting is the outline of a dog, which the artist began painting in but never completed;
); eTyne & Wear Archives & Museums; English, out of copyright

Media ID 23488464

© Tyne & Wear Archives & Museums / Bridgeman Images

Bridle Farmyard Saddle Stable Stables Unfinished


FEATURES IN THESE COLLECTIONS

> Animals > Farm > Horses > Related Images

> Animals > Mammals > Dogs (Domestic) > Working > Related Images

> Animals > Mammals > Horse > Related Images

> Arts > Artists > Related Images

> Arts > Fine Art

> Arts > Photorealistic artworks > Detailed art pieces > Masterful detailing in art

> Europe > United Kingdom > England > Tyne and Wear > Newcastle upon Tyne

> Europe > United Kingdom > Northern Ireland > County Down > Newcastle

> Europe > United Kingdom > Paintings

> Fine Art Finder > Artists > John Isaac Richardson

> Fine Art Finder > Horses


EDITORS COMMENTS
This print captures an intriguing artwork titled "Stableyard with Horse" by John Isaac Richardson. The painting, displayed at the Laing Art Gallery in Newcastle-upon-Tyne, UK, showcases Richardson's unique working methods. While the background of the scene is complete and meticulously detailed, the image of a saddled horse remains unfinished. The artist's intention becomes apparent as we observe the hooves and saddle stirrups left incomplete. It seems that Richardson may have intended to include a figure holding the reins which abruptly end in mid-air. Additionally, on the right side of the painting, there is an outline of a dog that was started but never finished. This unfinished masterpiece offers us insight into Richardson's artistic process and leaves room for our imagination to fill in missing details. The stableyard setting exudes tranquility while hinting at bustling farm activity just beyond its borders. As we delve into this 19th-century scene through a 20th-century lens, we are reminded of how art transcends time. The presence of walking sticks or canes suggests human interaction within this equine world. Horses stand majestically as symbols of strength and grace amidst other farm animals. Through this print from Fine Art Finder by Bridgeman Images, we are transported to an era where wildlife coexisted harmoniously with humans on idyllic farms—a moment frozen in time for all to appreciate.

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